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Source Description

The Master of the Straus Madonna is the name given by art historians to an anonymous Florentine painter whose best known work is a “Madonna and Child” in the Straus Collection at the Museum of Fine Arts, Houston, Texas. In this elegant devotional panel by him the Virgin Mary is shown as the “Madonna of Humility"—she is not enthroned as Queen of Heaven but seated low on the ground on a cushion, stressing her role as a humble mother. Behind Mary are two praying angels; two more angels play music in the foreground. Standing to the left is Saint Bernard, wearing a white habit and holding a crozier (a liturgical staff), and Florence’s patron saint, John the Baptist, carrying a scroll with his prophecy claiming Christ as the “Lamb of God.” At the right is Saint Julian, dressed as a knight and carrying a sword, and the bishop Saint Nicholas, carrying three pieces of gold in reference to his charity. Above the Madonna, the tiny figure of God the Father sends the dove of the Holy Spirit toward her and the Christ Child. God is flanked by two angels carrying attributes of the Madonna: the angel at the right carries a lily, the flower presented to Mary by Gabriel when he announced Christ’s conception, and the angel at the left carries a palm frond, which Gabriel presented to Mary when he announced her death. Christ's crucifixion appears in the gable (uppermost section of the frame) as an omnipresent reminder of his sacrifice for humankind.

Scholar Source Context

Document identity
localId
34105
label
The Madonna of Humility with Saints and Angels
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
34105
contentType
drawing
stage
normalized
title
The Madonna of Humility with Saints and Angels
description
The Master of the Straus Madonna is the name given by art historians to an anonymous Florentine painter whose best known work is a “Madonna and Child” in the Straus Collection at the Museum of Fine Arts, Houston, Texas. In this elegant devotional panel by him the Virgin Mary is shown as the “Madonna of Humility"—she is not enthroned as Queen of Heaven but seated low on the ground on a cushion, stressing her role as a humble mother. Behind Mary are two praying angels; two more angels play music in the foreground. Standing to the left is Saint Bernard, wearing a white habit and holding a crozier (a liturgical staff), and Florence’s patron saint, John the Baptist, carrying a scroll with his prophecy claiming Christ as the “Lamb of God.” At the right is Saint Julian, dressed as a knight and carrying a sword, and the bishop Saint Nicholas, carrying three pieces of gold in reference to his charity. Above the Madonna, the tiny figure of God the Father sends the dove of the Holy Spirit toward her and the Christ Child. God is flanked by two angels carrying attributes of the Madonna: the angel at the right carries a lily, the flower presented to Mary by Gabriel when he announced Christ’s conception, and the angel at the left carries a palm frond, which Gabriel presented to Mary when he announced her death. Christ's crucifixion appears in the gable (uppermost section of the frame) as an omnipresent reminder of his sacrifice for humankind.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 13, as A. Cenino, about 1437]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1400 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
130.3
height
73.3
depth
3.5
dimensionsRaw
H with base and finial: 51 5/16 x W: 28 7/8 x D: 1 3/8 in. (130.3 x 73.3 x 3.5 cm); Painted surface H: 37 3/16 x W: 20 1/4 in. (94.5 x 51.5 cm)
Source extras
med
tempera and gold leaf on panel
creator_ids
5091
collection_ids
REN
exhibition_ids
2064
Single page context
seq
1
pageIndex
0
type
photo
mediaId
f8e51587306abea2