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Source Description
In 1224, as St. Francis (1181-1226) and a follower Brother Leo were meditating on Christ's suffering during a forty day fast spent in the wilderness of Mount Verna, Francis had a vision of a seraph (a six-winged angel) crucified like Christ. Immediately, there appeared on Francis's body the stigmata, visible marks of the wounds of the crucified Christ that he carried to his grave, thus a physical manifestation of his desire to imitate Christ in his dedication of himself to the poor and suffering. Bril trained as a landscapist in Antwerp but had a successful career in Rome. The composition and deep brownish-green tones suggest his manner around 1620, but the execution lacks his clarity, and the natural detail in the lower left is more prominent than in his accepted works. This is the work of a talented pupil or imitator.
Scholar Source Context
Document identity
localId
35399
label
Saint Francis of Assisi Receiving the Stigmata
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
35399
sourceUrl
contentType
drawing
stage
normalized
title
Saint Francis of Assisi Receiving the Stigmata
description
In 1224, as St. Francis (1181-1226) and a follower Brother Leo were meditating on Christ's suffering during a forty day fast spent in the wilderness of Mount Verna, Francis had a vision of a seraph (a six-winged angel) crucified like Christ. Immediately, there appeared on Francis's body the stigmata, visible marks of the wounds of the crucified Christ that he carried to his grave, thus a physical manifestation of his desire to imitate Christ in his dedication of himself to the poor and suffering. Bril trained as a landscapist in Antwerp but had a successful career in Rome. The composition and deep brownish-green tones suggest his manner around 1620, but the execution lacks his clarity, and the natural detail in the lower left is more prominent than in his accepted works. This is the work of a talented pupil or imitator.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1620-1629 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
39.2
height
31.1
dimensionsRaw
H: 15 7/16 x W: 12 1/4 in. (39.2 x 31.1 cm)
Source extras
med
oil on canvas
creator_ids
2620
collection_ids
BAR
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
43c9cda8b813d501