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Source Description

A member of a distinguished Venetian family, a man of letters, and a patron of the arts, Marino Grimani ruled as doge of the city from 1595 to 1605. By presenting him in a stern profile pose and emphasizing his voluminous garments, the artist has captured the man's authoritative character. Malombra was a gentleman who devoted himself to the arts, poetry and painting, in which he followed the manner of the great Venetian painter Jacopo Comin, known as Tintoretto, who was much sought after as a portraitist. Malombra's social status allowed him easy access to powerful people in Venice.

Scholar Source Context

Document identity
localId
36328
label
Portrait of Doge Marino Grimani
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
36328
contentType
drawing
stage
normalized
title
Portrait of Doge Marino Grimani
description
A member of a distinguished Venetian family, a man of letters, and a patron of the arts, Marino Grimani ruled as doge of the city from 1595 to 1605. By presenting him in a stern profile pose and emphasizing his voluminous garments, the artist has captured the man's authoritative character. Malombra was a gentleman who devoted himself to the arts, poetry and painting, in which he followed the manner of the great Venetian painter Jacopo Comin, known as Tintoretto, who was much sought after as a portraitist. Malombra's social status allowed him easy access to powerful people in Venice.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 379, as Tintoretto]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1556-1618 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
142.3
height
109.2
dimensionsRaw
Painted surface H: 56 x W: 43 in. (142.3 x 109.2 cm)
Source extras
inscriptions
[Number] On reverse of lining fabric: 881 P; [Number] On reverse of lining fabric: 279 B; [Number] Painted on reverse of original canvas: No. 48; [Inscription] On reverse of lining fabric in pink crayon: Venice
1849
med
oil on canvas
creator_ids
2530
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
9c96e4ab4ed67582