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Source Description
Paul the Hermit was a 3rd-century Egyptian saint who escaped persecution as a Christian by retreating into the desert, where he lived in continual meditation until he was more than 100 years old. The raven that sustained Paul by bringing him bread each day appears at the upper left. The skull prompted his meditation on the brevity of human life.Ribera was born in Spain but worked in Italy, first in Rome, and after 1616 in Naples, where by the 1630s he was considered the leading painter. His use here of stark contrasts of light and dark, made popular by the Italian painter Caravaggio (1571-1610), highlights the modeling of the saint's emaciated torso. The thick paint and textured brushwork that evoke the wrinkled skin contribute to the realism of the image. This is critical to the emotional impact on the viewer of Paul as a model of personal penance that was central to Counter Reformation Catholic devotion.
Scholar Source Context
Document identity
localId
37037
label
Saint Paul the Hermit
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
37037
sourceUrl
contentType
drawing
stage
normalized
title
Saint Paul the Hermit
description
Paul the Hermit was a 3rd-century Egyptian saint who escaped persecution as a Christian by retreating into the desert, where he lived in continual meditation until he was more than 100 years old. The raven that sustained Paul by bringing him bread each day appears at the upper left. The skull prompted his meditation on the brevity of human life.Ribera was born in Spain but worked in Italy, first in Rome, and after 1616 in Naples, where by the 1630s he was considered the leading painter. His use here of stark contrasts of light and dark, made popular by the Italian painter Caravaggio (1571-1610), highlights the modeling of the saint's emaciated torso. The thick paint and textured brushwork that evoke the wrinkled skin contribute to the realism of the image. This is critical to the emotional impact on the viewer of Paul as a model of personal penance that was central to Counter Reformation Catholic devotion.
provenance
Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca.1638 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
132.7
height
106.7
dimensionsRaw
H: 52 1/4 x W: 42 in. (132.7 x 106.7 cm)
Source extras
inscriptions
[Signed and date] Lower right: Jusepe Ribera espanol valenciano F.1638 (?)
med
oil on canvas
creator_ids
3623
collection_ids
BAR
exhibition_ids
948
Single page context
seq
1
pageIndex
0
type
photo
mediaId
8667ae53c515255f