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IIn the New Testament, Mary from the town of Magdala was one of Christ's most loyal followers. Later tradition associated her with a reformed prostitute. The merging of these identities produced emotionally powerful images of a remorseful yet alluring young woman, meditating on death. Many people kept skulls for meditational purposes. Spadarino is one of several painters in Rome in the early 1600s who explored dramatic, compact compositions of a few figures in a dark space illuminated by a strong light, much like a modern "spotlight," an approach made famous by Michelangelo Merisi da Caravaggio (1571–1610).

Page data

Page
1
Source index
0
Type
photo
Media ID
4c25aeb1c0217c0e
Size
unknown

Document data

ID
5083
Core
obj
Type
drawing
DTO data
{
    "id": "5083",
    "sourceUrl": "https://purl.thewalters.org/art/37.651",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Saint Mary Magdalene",
    "description": "IIn the New Testament, Mary from the town of Magdala was one of Christ's most loyal followers. Later tradition associated her with a reformed prostitute. The merging of these identities produced emotionally powerful images of a remorseful yet alluring young woman, meditating on death. Many people kept skulls for meditational purposes. Spadarino is one of several painters in Rome in the early 1600s who explored dramatic, compact compositions of a few figures in a dark space illuminated by a strong light, much like a modern \"spotlight,\" an approach made famous by Michelangelo Merisi da Caravaggio (1571–1610).",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 231, as Caravaggio]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1625-1635 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.651",
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    "language": "en",
    "genreSpecific": [
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    "source": "import",
    "dimensions": [
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            "height": 98.7
        }
    ],
    "dimensionsRaw": "Painted surface H: 52 3/8 x W: 38 7/8 in. (133 x 98.7 cm)"
}

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Document identity
{
    "localId": "5083",
    "label": "Saint Mary Magdalene",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.651"
}
Document source metadata
{
    "id": "5083",
    "sourceUrl": "https://purl.thewalters.org/art/37.651",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Saint Mary Magdalene",
    "description": "IIn the New Testament, Mary from the town of Magdala was one of Christ's most loyal followers. Later tradition associated her with a reformed prostitute. The merging of these identities produced emotionally powerful images of a remorseful yet alluring young woman, meditating on death. Many people kept skulls for meditational purposes. Spadarino is one of several painters in Rome in the early 1600s who explored dramatic, compact compositions of a few figures in a dark space illuminated by a strong light, much like a modern \"spotlight,\" an approach made famous by Michelangelo Merisi da Caravaggio (1571–1610).",
    "provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 231, as Caravaggio]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1625-1635 (Baroque)",
    "citationUrl": "https://purl.thewalters.org/art/37.651",
    "rightsUri": "CC0",
    "language": "en",
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    "largeImageUrl": "https://art.thewalters.org/images/art/PS1_37.651_Fnt_DD_T07.jpg",
    "imageCount": 1,
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    "source": "import",
    "dimensions": [
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    ],
    "dimensionsRaw": "Painted surface H: 52 3/8 x W: 38 7/8 in. (133 x 98.7 cm)"
}
Document source extras
{
    "cul": "Roman Baroque",
    "med": "oil on canvas",
    "creator_ids": [
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    "collection_ids": [
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    ]
}
Page context
{
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