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Source Description
Nicolas-Toussaint Charlet conveyed the fascinating complexity of early 19th-century French class structure and social change in "Old Man before a Prie-Dieu." Perhaps the solemn mood of the image relates to the devastating cholera epidemic that swept France in 1832, killing 18,000, mostly poor, Parisians. The central character has placed his walking stick against the prie-dieu on which he leans in front of a side altar in a medieval church. His hair is wild and ungroomed, and his dark wool overcoat, breeches, and silver buckled shoes are worn and unkempt, identifying him as an indigent aristocrat. His piety unites him with the bearded vagabond on the left, who kneels nearly prostrate to join in prayer at the side altar. In the background, a large congregation, including a Norman identifiable by her bonnet, a balding man, and a child, stands and faces the high altar. In contrast to the pious environment of the church, a shoeless street urchin of eight or nine leans in boredom against a column to the right of the aristocrat and stares up at the old man.
Scholar Source Context
Document identity
localId
5718
label
Old Man Before a Prie-Dieu
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
5718
sourceUrl
contentType
drawing
stage
normalized
title
Old Man Before a Prie-Dieu
description
Nicolas-Toussaint Charlet conveyed the fascinating complexity of early 19th-century French class structure and social change in "Old Man before a Prie-Dieu." Perhaps the solemn mood of the image relates to the devastating cholera epidemic that swept France in 1832, killing 18,000, mostly poor, Parisians. The central character has placed his walking stick against the prie-dieu on which he leans in front of a side altar in a medieval church. His hair is wild and ungroomed, and his dark wool overcoat, breeches, and silver buckled shoes are worn and unkempt, identifying him as an indigent aristocrat. His piety unites him with the bearded vagabond on the left, who kneels nearly prostrate to join in prayer at the side altar. In the background, a large congregation, including a Norman identifiable by her bonnet, a balding man, and a child, stands and faces the high altar. In contrast to the pious environment of the church, a shoeless street urchin of eight or nine leans in boredom against a column to the right of the aristocrat and stares up at the old man.
provenance
William T. Walters, Baltimore [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
date
1832
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
drawings (visual works)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
17.6
height
13.2
dimensionsRaw
H: 6 15/16 x W: 5 3/16 in. (17.6 x 13.2 cm)
Source extras
inscriptions
[Number] Verso in graphite: 14; [Signed and dated] Lower left
in brown ink: Charlet 1832
med
transparent watercolor over graphite underdrawing with scraping on cream, thick, moderately textured wove paper
creator_ids
8411
collection_ids
EAN
exhibition_ids
2069
441
404
432
Single page context
seq
1
pageIndex
0
type
photo
mediaId
28fb57ec20e0e0c8