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This triptych (an altarpiece with three panels) of three Franciscan holy men was probably placed on the high altar of a Franciscan church. Depicted as if bathed in natural light, the architectural setting with the three saints opens up to a serene landscape. Inside the church, this illusionistic opening would have given the painting the character of a divine vision. Rose petals are scattered across the floor.For more information on these panels, please see Federico Zeri's 1976 catalogue no. 186, pp. 275-277.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 406861c2b15e0c73
- Size
- unknown
Document data
- ID
- 82254
- Core
- obj
- Type
- drawing
DTO data
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"title": "Saint Louise of Toulouse",
"description": "This triptych (an altarpiece with three panels) of three Franciscan holy men was probably placed on the high altar of a Franciscan church. Depicted as if bathed in natural light, the architectural setting with the three saints opens up to a serene landscape. Inside the church, this illusionistic opening would have given the painting the character of a divine vision. Rose petals are scattered across the floor.For more information on these panels, please see Federico Zeri's 1976 catalogue no. 186, pp. 275-277.",
"provenance": "Henry Walters, Baltimore, prior to 1922 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1499-1500 (Renaissance)",
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}
Context sent to Scholar
Document identity
{
"localId": "82254",
"label": "Saint Louise of Toulouse",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/37.531B"
}
Document source metadata
{
"id": "82254",
"sourceUrl": "https://purl.thewalters.org/art/37.531B",
"contentType": "drawing",
"stage": "normalized",
"title": "Saint Louise of Toulouse",
"description": "This triptych (an altarpiece with three panels) of three Franciscan holy men was probably placed on the high altar of a Franciscan church. Depicted as if bathed in natural light, the architectural setting with the three saints opens up to a serene landscape. Inside the church, this illusionistic opening would have given the painting the character of a divine vision. Rose petals are scattered across the floor.For more information on these panels, please see Federico Zeri's 1976 catalogue no. 186, pp. 275-277.",
"provenance": "Henry Walters, Baltimore, prior to 1922 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1499-1500 (Renaissance)",
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],
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Document source extras
{
"med": "oil on panel",
"creator_ids": [
"3230"
],
"collection_ids": [
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Page context
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