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Source Description

Together with Walters 37.721, this little panel of Saint Anthony Abbot, Christianity's first monk, comes from the “pilaster,” or frame, of an altarpiece (see the similar pilasters on Giovanni di Paolo’s altarpiece, Walters 37.554). Saint Anthony Abbot was popularly venerated during the Renaissance as a model example of learning and piety. He is said to have spent the majority of his life as a hermit in the desert, praying, studying, and resisting earthly temptations. Here he is shown in a typical hermit's guise with an overgrown beard and simple brown cloak, and with his distinctive T-shaped staff and a string of prayer beeds.The figure's elongated proportions and sculptural modeling are typical traits of the painter Girolamo di Benvenuto, who was active primarily in his native city of Siena during the late 15th and early 16th century. The panel was probably painted in the late 1490s, when Girolamo was still working under the influence of his father and teacher, Benvenuto di Giovanni (1436-ca. 1518).For another painting by Girolamo di Benvenuto at the Walters, see 37.743.

Scholar Source Context

Document identity
localId
8586
label
St. Anthony Abbot
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
8586
contentType
drawing
stage
normalized
title
St. Anthony Abbot
description
Together with Walters 37.721, this little panel of Saint Anthony Abbot, Christianity's first monk, comes from the “pilaster,” or frame, of an altarpiece (see the similar pilasters on Giovanni di Paolo’s altarpiece, Walters 37.554). Saint Anthony Abbot was popularly venerated during the Renaissance as a model example of learning and piety. He is said to have spent the majority of his life as a hermit in the desert, praying, studying, and resisting earthly temptations. Here he is shown in a typical hermit's guise with an overgrown beard and simple brown cloak, and with his distinctive T-shaped staff and a string of prayer beeds.The figure's elongated proportions and sculptural modeling are typical traits of the painter Girolamo di Benvenuto, who was active primarily in his native city of Siena during the late 15th and early 16th century. The panel was probably painted in the late 1490s, when Girolamo was still working under the influence of his father and teacher, Benvenuto di Giovanni (1436-ca. 1518).For another painting by Girolamo di Benvenuto at the Walters, see 37.743.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 334, as Bernardino da Perugia]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1490-1499 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
panel paintings
altarpieces
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
45.7
height
16.8
dimensionsRaw
Painted surface H: 18 x W: 6 5/8 in. (45.7 x 16.8 cm); Panel H including original gold framing: 21 x W: 8 15/16 x D: 1 in. (53.4 x 22.7 x 2.5 cm)
Source extras
RelatedObjects
33712
med
oil and gold leaf on wood panel
creator_ids
7137
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
737f4d11df8e0a3a