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Source Description
After he was taken prisoner by Roman soldiers in the Garden of Gethsemane of Jerusalem, Christ was brought before the people by the Roman govenor Pontius Pilate, who addressed the crowd: "'Look, I am bringing him out to you to let you know that I find no case against him.' So Jesus came out, wearing the crown of thorns and the purple robe. Pilate said to them, 'Here is the man!' [Ecce Homo]" (John 19:4-5). the Jewish crowd called for Christ to be executed and he was taken to Calvary and crucified.Luca Giordano took pride in his ability to imitate the styles of others. In this work, he has drawn on the woodcuts of the German artist Albrecht Dürer (1471-1528) as demonstrated by the costumes and grimacing facial features of the crowd. This painting is the companion to one of similar style showing Pilate Washing his Hands, now in the John G. Johnson collection in the Philadelphia Museum of Art (no. 29): the two pictures were separated only in 1900. There are also two paintings in the National Gallery in Naples (no. 84417 and 84408) that are old copies of the Walters panel and its companion in Philadelphia.For more information on this panel, please see the essay by Morten Steen Hansen in Masterpieces of Italian Painting in the Walters art Museum, ed. by M. S. Hansen and J. Spicer (London: Giles Limited, for the Walters Art Museum, 2005), no. 41.
Scholar Source Context
Document identity
localId
9018
label
Ecce Homo
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
9018
sourceUrl
contentType
drawing
stage
normalized
title
Ecce Homo
description
After he was taken prisoner by Roman soldiers in the Garden of Gethsemane of Jerusalem, Christ was brought before the people by the Roman govenor Pontius Pilate, who addressed the crowd: "'Look, I am bringing him out to you to let you know that I find no case against him.' So Jesus came out, wearing the crown of thorns and the purple robe. Pilate said to them, 'Here is the man!' [Ecce Homo]" (John 19:4-5). the Jewish crowd called for Christ to be executed and he was taken to Calvary and crucified.Luca Giordano took pride in his ability to imitate the styles of others. In this work, he has drawn on the woodcuts of the German artist Albrecht Dürer (1471-1528) as demonstrated by the costumes and grimacing facial features of the crowd. This painting is the companion to one of similar style showing Pilate Washing his Hands, now in the John G. Johnson collection in the Philadelphia Museum of Art (no. 29): the two pictures were separated only in 1900. There are also two paintings in the National Gallery in Naples (no. 84417 and 84408) that are old copies of the Walters panel and its companion in Philadelphia.For more information on this panel, please see the essay by Morten Steen Hansen in Masterpieces of Italian Painting in the Walters art Museum, ed. by M. S. Hansen and J. Spicer (London: Giles Limited, for the Walters Art Museum, 2005), no. 41.
provenance
Earl of Dudley, London, prior to 1871 [mode of acquisition unknown]; Sale, Christie's, London, June 16, 1900, no. 14 [as H. Goltzius]; Ichenhauser, Munich, prior to 1900 [mode of acquisition unknown]; Henry Walters, Baltimore, prior to 1909 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1650-1659 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
panel paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
45.1
height
69.7
depth
2.9
dimensionsRaw
Painted surface H: 17 3/4 x W: 27 7/16 x D: 1 1/8 in. (45.1 x 69.7 x 2.9 cm)
Source extras
inscriptions
[Number] On reverse
stencilled in black: 244 AB; [Number] On reverse
roughly painted: 60; [Seal] On reverse are two wax seals and a repeated stamped impression along the bottom edge
med
oil on wood (European walnut) panel
creator_ids
7032
collection_ids
BAR
exhibition_ids
2178
948
2374
405
Single page context
seq
1
pageIndex
0
type
photo
mediaId
7501be2ede54b821