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Source Description

This dish portrays the sea nymph Philyra and Cronos, a leader of the Titans, the generation of divinities preceding the Olympian gods. According to Greek mythology, Cronus fell in love with Philyra, and when his wife Rhea discovered them together, he quickly transformed himself into a horse to escape detection. Cronos is pictured here in the upper right corner, holding a scythe and sitting in a sunburst ringed with clouds. On a hillside at the left, Philyra reclines on her right elbow; behind her, Cronos is transforming himself into a horse. This composition, painted in red-gold and dark ruby luster, is characteristic of “istoriato” (tells a story) imagery, which often featured scenes from Classical antiquity. The back is bluish-white and is decorated in ruby and red-gold lustre with four spirals converted into floral scrolls; in the center, in lustre, is a floral motif surmounted by the date, "1539." It was likely made in Urbino or Gubbio, cities with maiolica workshops that specialized in luster wares. For more on “istoriato,” see 48.1487; for additional information on “maiolica,” see 48.1336.

Scholar Source Context

Document identity
localId
10067
label
Dish on a Low Foot with Cronos and Philyra
core
obj
dtoType
object
pageCount
2
Source metadata
id
10067
contentType
object
stage
normalized
title
Dish on a Low Foot with Cronos and Philyra
description
This dish portrays the sea nymph Philyra and Cronos, a leader of the Titans, the generation of divinities preceding the Olympian gods. According to Greek mythology, Cronus fell in love with Philyra, and when his wife Rhea discovered them together, he quickly transformed himself into a horse to escape detection. Cronos is pictured here in the upper right corner, holding a scythe and sitting in a sunburst ringed with clouds. On a hillside at the left, Philyra reclines on her right elbow; behind her, Cronos is transforming himself into a horse. This composition, painted in red-gold and dark ruby luster, is characteristic of “istoriato” (tells a story) imagery, which often featured scenes from Classical antiquity. The back is bluish-white and is decorated in ruby and red-gold lustre with four spirals converted into floral scrolls; in the center, in lustre, is a floral motif surmounted by the date, "1539." It was likely made in Urbino or Gubbio, cities with maiolica workshops that specialized in luster wares. For more on “istoriato,” see 48.1487; for additional information on “maiolica,” see 48.1336.
provenance
Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1539 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Ceramics
dishes
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
5
height
23.9
dimensionsRaw
H: 1 15/16 x Diam: 9 7/16 in. (5 x 23.9 cm)
Source extras
inscriptions
[Date] On the center back
a floral motif surmounted by the date
in lustre: 1539
med
earthenware with tin glaze (maiolica) and luster decoration
creator_ids
33562
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
2cd44223af9394df
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
bffadb1dc506b80f
hasOcr
no
hasDescription
no