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Source Description
Susanna van Collen (1606-37) wears the simple, loose garments, gaily-striped silk scarf from Asia, and uncovered hair (with pearls from the East Indies) of a wealthy lady posing as a shepherdess of antiquity. This portrait is one of a pair (with Walters 38.226) that was probably made to commemorate the marriage in 1626 of Jan Pellicorne (1597-after 1653) and Susanna van Collen, both from wealthy merchant families.X-rays show that Poelenburch initially painted the couple in sober everyday attire with starched ruff collars, so Susanna looked more like the mother in the "Portrait of a Family". After Susanna's portrait was completed, and Jan's half executed, they decided to have themselves depicted instead in the newly fashionable, lighthearted manner. Then, after seven years of marriage and parenthood, the couple returned to the conventional style for portraits commissioned from an Amsterdam painter in Rembrandt's circle.
Scholar Source Context
Document identity
localId
10422
label
Portrait of Susanna van Collen
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
10422
sourceUrl
contentType
object
stage
normalized
title
Portrait of Susanna van Collen
description
Susanna van Collen (1606-37) wears the simple, loose garments, gaily-striped silk scarf from Asia, and uncovered hair (with pearls from the East Indies) of a wealthy lady posing as a shepherdess of antiquity. This portrait is one of a pair (with Walters 38.226) that was probably made to commemorate the marriage in 1626 of Jan Pellicorne (1597-after 1653) and Susanna van Collen, both from wealthy merchant families.X-rays show that Poelenburch initially painted the couple in sober everyday attire with starched ruff collars, so Susanna looked more like the mother in the "Portrait of a Family". After Susanna's portrait was completed, and Jan's half executed, they decided to have themselves depicted instead in the newly fashionable, lighthearted manner. Then, after seven years of marriage and parenthood, the couple returned to the conventional style for portraits commissioned from an Amsterdam painter in Rembrandt's circle.
provenance
Valckenier-Pellicorne family; Valckenier (1731-1784), by inheritance; Abraham Jay Fink [date and mode of acquisition unknown]; A. Jay Fink Foundation, Inc., Baltimore, 1963, by bequest [A-76]; Walters Art Museum, 1963, by gift.
date
ca. 1626 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Miniatures
miniatures (paintings)
portraits
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
9.8
height
7.6
dimensionsRaw
H: 3 7/8 x W: 3 in. (9.84 x 7.62 cm)
Source extras
med
oil on copper
creator_ids
2125
collection_ids
BAR
exhibition_ids
13
74
963
2899
3225
Single page context
seq
1
pageIndex
0
type
photo
mediaId
66e6bf5a5949db7e