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Source Description

This is a rare example of a kind of bizarre composite figure that achieved popularity around 1600, especially in Milan. The most famous exponent was Guiseppe Arcimboldo (1527-1593), whose painted portraits combining carefully observed natural elements were at once intriguing inventions and serious allegories, for example his Portrait of Emperor Rudolf II as Vertumnus, Lord of the Seasons in which he flatters the emperor by suggesting that imperial power encompasses nature itself. Made of materials ranging from seeds to a beetle abdomen to pearls, around a wax core, this curious figure exemplifies the notion of human beings as encompassing all the virtues and frailties of the physical world. The 1598 inventory of the collection of the duke of Bavaria included a small Mexican "idol" decorated with seeds and nuts. This is lost but may have inspired this type of figure. Due to his fragility, the figure stays in his (original) case.

Scholar Source Context

Document identity
localId
11531
label
Curiosity Figure (Seed Man)
core
obj
dtoType
object
pageCount
1
Source metadata
id
11531
contentType
object
stage
normalized
title
Curiosity Figure (Seed Man)
description
This is a rare example of a kind of bizarre composite figure that achieved popularity around 1600, especially in Milan. The most famous exponent was Guiseppe Arcimboldo (1527-1593), whose painted portraits combining carefully observed natural elements were at once intriguing inventions and serious allegories, for example his Portrait of Emperor Rudolf II as Vertumnus, Lord of the Seasons in which he flatters the emperor by suggesting that imperial power encompasses nature itself. Made of materials ranging from seeds to a beetle abdomen to pearls, around a wax core, this curious figure exemplifies the notion of human beings as encompassing all the virtues and frailties of the physical world. The 1598 inventory of the collection of the duke of Bavaria included a small Mexican "idol" decorated with seeds and nuts. This is lost but may have inspired this type of figure. Due to his fragility, the figure stays in his (original) case.
provenance
Nicholas Landau, Paris [date and mode of acquisition unknown]; Walters Art Museum, 1970, by purchase.
date
ca. 1600 (Late Renaissance)
rightsUri
CC0
language
en
genreSpecific
Resin, Wax & Composite
figurines
imageCount
1
pageCount
1
source
import
dimensionsRaw
3 1/4 in. (8.3 cm)
Source extras
med
flax and other seeds, shell, wood, wax, beetle case and parts, pearl, ruby, amethyst; wood, leather, silk velvet, metallic thread, and glass case
creator_ids
13428
6200
collection_ids
BAR
exhibition_ids
1994
Single page context
seq
1
pageIndex
0
type
photo
mediaId
a08ec9c59c043e5b