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Source Description

The workmanship and materials of the case are European, while the iridescent blue-to-emerald green hummingbird feathers on the inside are probably Mexican in origin and draw on the striking use of feathers by the Aztec for works of art. There remains a debate as to whether such inclusions of hummingbird feathers were done in Europe, to add an exotic flair, or in Mexico for the European market. While Mexican artists of the 1500s worked in boxwood, indigenous to the Americas as well as to Europe, this type of microcarving of Passion scenes appears to be European. Therefore this lovely pendant is here considered to be a fascinating exemple of a European artist adapting an aesthetic effect developed in the Americas, the not-quite-European aesthetic adding an exotic quality. The boxwood shrub produces hard, fine-grained wood, permitting precise detail that holds its shape. Indeed the virtuosity needed for such a minute scale is part of the appeal.The earlier traditon of microcarving in europe is best represented in the Walters collections by Prayer Nuts, for example 61.132.

Scholar Source Context

Document identity
localId
11827
label
Pendant in the Shape of a Lantern with Christ's Crucifixion and Deposition
core
obj
dtoType
object
pageCount
4
Source metadata
id
11827
contentType
object
stage
normalized
title
Pendant in the Shape of a Lantern with Christ's Crucifixion and Deposition
description
The workmanship and materials of the case are European, while the iridescent blue-to-emerald green hummingbird feathers on the inside are probably Mexican in origin and draw on the striking use of feathers by the Aztec for works of art. There remains a debate as to whether such inclusions of hummingbird feathers were done in Europe, to add an exotic flair, or in Mexico for the European market. While Mexican artists of the 1500s worked in boxwood, indigenous to the Americas as well as to Europe, this type of microcarving of Passion scenes appears to be European. Therefore this lovely pendant is here considered to be a fascinating exemple of a European artist adapting an aesthetic effect developed in the Americas, the not-quite-European aesthetic adding an exotic quality. The boxwood shrub produces hard, fine-grained wood, permitting precise detail that holds its shape. Indeed the virtuosity needed for such a minute scale is part of the appeal.The earlier traditon of microcarving in europe is best represented in the Walters collections by Prayer Nuts, for example 61.132.
provenance
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1550-1600 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Wood
pendants (jewelry)
imageCount
4
pageCount
4
source
import
dimensions
units
cm
width
5.3
height
2.5
depth
1.9
dimensionsRaw
H with suspended pearl: 2 1/16 × W: 1 × D: 3/4 in. (5.3 × 2.5 × 1.9 cm); H without suspended pearl H: 1 1/2 × W: 1 × D: 3/4 in. (3.8 × 2.5 × 1.9 cm)
Source extras
med
boxwood (?), hummingbird feathers, rock crystal, gold, enamel, pigments, pearls
creator_ids
6242
15517
collection_ids
REN
JWL
exhibition_ids
1994
2513
Page inventory
seq
1
type
photo
mediaId
8d6c4b7ab7b861cb
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
50cdd45ad36e2833
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
b4cf0f3fc8717465
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
5cd78e9737c76180
hasOcr
no
hasDescription
no