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Source Description
Palissy is known as a potter for such oval dishes transformed into tiny ponds, complete with vegetation, fish, and creatures from the water's edge. To make his ceramic ponds as lifelike as possible, he made molds from actual shells, frogs, lizards, fish, and other creatures to create life-like models. He developed new techniques for more subtle tones and life-like coloring. The ingenuity of these imitations of nature was greatly appreciated in court circles; one of his patrons was the French queen, Catherine de Medici. The popularity of his works extended long after his death, as seen in the work of 17th-century imitators, such as the unidentified ceramicist responsible for the present piece. In Palissy's desire to find better clays for pottery and invent more vibrant glazes, he began digging in the earth, which led him to the study of nature's "secrets" concerning minerals, the flow of water, and fossils, about which he made important discoveries.Palissy had many imitators after his death. The creatures on this platter do not have have the crispness of Palissy's indubitably original work and is likely by an imitator from the 1600s.
Scholar Source Context
Document identity
localId
12224
label
Ornamental Platter with Pond Life
core
obj
dtoType
object
citationUrl
pageCount
6
Source metadata
id
12224
sourceUrl
contentType
object
stage
normalized
title
Ornamental Platter with Pond Life
description
Palissy is known as a potter for such oval dishes transformed into tiny ponds, complete with vegetation, fish, and creatures from the water's edge. To make his ceramic ponds as lifelike as possible, he made molds from actual shells, frogs, lizards, fish, and other creatures to create life-like models. He developed new techniques for more subtle tones and life-like coloring. The ingenuity of these imitations of nature was greatly appreciated in court circles; one of his patrons was the French queen, Catherine de Medici. The popularity of his works extended long after his death, as seen in the work of 17th-century imitators, such as the unidentified ceramicist responsible for the present piece. In Palissy's desire to find better clays for pottery and invent more vibrant glazes, he began digging in the earth, which led him to the study of nature's "secrets" concerning minerals, the flow of water, and fossils, about which he made important discoveries.Palissy had many imitators after his death. The creatures on this platter do not have have the crispness of Palissy's indubitably original work and is likely by an imitator from the 1600s.
provenance
Dean Garnier [label on back]; William Boare [date and mode of acquisition unknown]; Sale November 1, 1879; Jacques Seligmann, Paris [date of acquisition unknown], by purchase; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.
date
c. 1630 (Late Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
platters
imageCount
6
pageCount
6
source
import
dimensions
units
cm
width
7
height
50.8
depth
40
dimensionsRaw
H: 2 3/4 × W: 20 × D: 15 3/4 in. (6.99 × 50.8 × 40.01 cm)
Source extras
med
earthenware with lead glaze
creator_ids
15518
collection_ids
REN
exhibition_ids
1994
3702
Page inventory
seq
1
type
photo
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4a52947f55784eed
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no
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photo
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2f1403d73c25b0eb
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no
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type
photo
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type
photo
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791bee35d1a82bb9
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type
photo
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aa9f14527a831b47
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no
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seq
6
type
photo
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ceb873c699fe09b1
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no
hasDescription
no