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Source Description

The upper scene is the Deposition from the Cross, the lower one the Flagellation of Christ. The scenes are placed below moldings with rosette decoration: the sides and the lower border are roped. The openness of the compositions and the relative scale of the figures give this small panel a monumental quality.The panel belongs to the Rose Group, and the scenes are rather comparale in treatment to, though entirely different in detail from, Walters 71.124. The Rose Group is complex: while there is a general similarity in composition among the individual ivories, there is a great variety of subjects and approaches. It is questioned, as well, whether all the works in the group were made in the same area.The insertion of a single element of landscape beneath the feet of one of Christ's tormentors in the Flagellation is unusual, though landscape elements occur in Walters 71.124 and other Rose ivories. No other examples have roped sides.The panel has slight chipping at the hinges and the lower right corner.

Scholar Source Context

Document identity
localId
12384
label
Deposition and Flagellation
core
obj
dtoType
object
pageCount
1
Source metadata
id
12384
contentType
object
stage
normalized
title
Deposition and Flagellation
description
The upper scene is the Deposition from the Cross, the lower one the Flagellation of Christ. The scenes are placed below moldings with rosette decoration: the sides and the lower border are roped. The openness of the compositions and the relative scale of the figures give this small panel a monumental quality.The panel belongs to the Rose Group, and the scenes are rather comparale in treatment to, though entirely different in detail from, Walters 71.124. The Rose Group is complex: while there is a general similarity in composition among the individual ivories, there is a great variety of subjects and approaches. It is questioned, as well, whether all the works in the group were made in the same area.The insertion of a single element of landscape beneath the feet of one of Christ's tormentors in the Flagellation is unusual, though landscape elements occur in Walters 71.124 and other Rose ivories. No other examples have roped sides.The panel has slight chipping at the hinges and the lower right corner.
provenance
Léon Gruel, Paris [date and mode of acquisition unknown]; William T. / Henry Walters Collection, Baltimore [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.
date
1st quarter 14th century (Medieval)
rightsUri
CC0
language
en
genreSpecific
Ivory & Bone
diptychs
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
11.6
height
6.9
dimensionsRaw
H: 4 9/16 x W: 2 11/16 in. (11.6 x 6.9 cm)
Source extras
style
Gothic
med
ivory
creator_ids
6229
collection_ids
MED
exhibition_ids
564
Single page context
seq
1
pageIndex
0
type
photo
mediaId
e3bad4587e227546