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Source Description
Bust-length, three quarter profile portrait of a young lady with dark brown hair, wearing a blue dress with white lace collar and gold necklace.This is signed J. H. Brown. It must be a late work if by this artist, as the fashion and hair style date from around 1890 and Brown died in 1891. Brown was born in Lancaster, Pennsylvania and studied painting with Arthur Armstrong, a fine-art, sign, and "fancy" painter. At the age of 21, Brown set up his own business in Lancaster and also taught himself miniature painting. He combined the look of new photographic processes with the colors and composition of oil painting, often basing his portraits on daguerreotypes and later ambrotypes. This miniature has the appearance of being after a photograph. Brown exhibited frequently at the Pennsylvania Academy until 1864 when he joined the photography practice of Frederick Augustus Wenderoth and W. Curtis Taylor, which became the firm of Wenderoth, Taylor, Brown. Brown tinted photographs in the era before color photography, a skill that was in demand in order to create accurate colored likenesses. However, Brown did not completely abandon miniature painting, as this was a practice still in demand among elite clients. In 1876 Brown received a medal for his miniatures at the Centennial Exhibition in Philadelphia.
Scholar Source Context
Document identity
localId
13011
label
A Lady
core
obj
dtoType
object
citationUrl
pageCount
2
Source metadata
id
13011
sourceUrl
contentType
object
stage
normalized
title
A Lady
description
Bust-length, three quarter profile portrait of a young lady with dark brown hair, wearing a blue dress with white lace collar and gold necklace.This is signed J. H. Brown. It must be a late work if by this artist, as the fashion and hair style date from around 1890 and Brown died in 1891. Brown was born in Lancaster, Pennsylvania and studied painting with Arthur Armstrong, a fine-art, sign, and "fancy" painter. At the age of 21, Brown set up his own business in Lancaster and also taught himself miniature painting. He combined the look of new photographic processes with the colors and composition of oil painting, often basing his portraits on daguerreotypes and later ambrotypes. This miniature has the appearance of being after a photograph. Brown exhibited frequently at the Pennsylvania Academy until 1864 when he joined the photography practice of Frederick Augustus Wenderoth and W. Curtis Taylor, which became the firm of Wenderoth, Taylor, Brown. Brown tinted photographs in the era before color photography, a skill that was in demand in order to create accurate colored likenesses. However, Brown did not completely abandon miniature painting, as this was a practice still in demand among elite clients. In 1876 Brown received a medal for his miniatures at the Centennial Exhibition in Philadelphia.
provenance
Acquired by A. J. Fink, Baltimore; A. J. Fink Foundation Inc., Baltimore; given to Walters Art Museum, 1963.
date
ca. 1890
citationUrl
rightsUri
CC0
language
en
genreSpecific
Miniatures
miniatures (paintings)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
7.6
height
6
dimensionsRaw
H excluding frame: 3 x W: 2 3/8 in. (7.62 x 6.03 cm); Framed H: 3 1/2 x W: 2 3/4 in. (8.89 x 6.99 cm)
Source extras
inscriptions
[Signed] Right: J.H. Brown
med
watercolor on ivory
creator_ids
3309
collection_ids
EAN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
f511550b193887cd
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
15d7320423b08718
hasOcr
no
hasDescription
no