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Source Description

This “istoriato” (story-telling) plate shows Jupiter, king of the gods and here disguised as a bull, kidnapping the young maiden Europa and taking her across the sea. In the foreground, Europa, not realizing that the amiable bull with which she and her friends have been playing is a lascivious god, mounts the back of the bull. He wisks her across the sea (in the rear) to Crete, where, now as Jupiter, the god will make love to her. Though this story is in the Roman poet Ovid’s (43 BCE—17CE) Metamorphoses Book II (8 AD), an inscription painted on the plate’s reverse incorrectly indicates that it was taken from Book III: “1533 / De gioue ede eropa / Nel • iii libro de Ouidio •M•h• / in urbino.” Moreover, while Ovid describes Jupiter as a white bull, here Europa rides a brown beast across the water. The composition’s divergence from the story in the Metamorphoses reveals that maiolica painters were not always accurate in either depicting or sourcing popular mythological subjects. The back is stained with green and decorated with lustered spiral leaf scrolls. This plate was produced by Giulio da Urbino, a maiolica painter who was born in Urbino and worked in different Italian cities throughout his career. For more works by Giulio da Urbino, click on his name in the creator field; for information on ‘maiolica’ in general, see 48.1336.

Scholar Source Context

Document identity
localId
13053
label
Plate with the Abduction of Europa
core
obj
dtoType
object
pageCount
2
Source metadata
id
13053
contentType
object
stage
normalized
title
Plate with the Abduction of Europa
description
This “istoriato” (story-telling) plate shows Jupiter, king of the gods and here disguised as a bull, kidnapping the young maiden Europa and taking her across the sea. In the foreground, Europa, not realizing that the amiable bull with which she and her friends have been playing is a lascivious god, mounts the back of the bull. He wisks her across the sea (in the rear) to Crete, where, now as Jupiter, the god will make love to her. Though this story is in the Roman poet Ovid’s (43 BCE—17CE) Metamorphoses Book II (8 AD), an inscription painted on the plate’s reverse incorrectly indicates that it was taken from Book III: “1533 / De gioue ede eropa / Nel • iii libro de Ouidio •M•h• / in urbino.” Moreover, while Ovid describes Jupiter as a white bull, here Europa rides a brown beast across the water. The composition’s divergence from the story in the Metamorphoses reveals that maiolica painters were not always accurate in either depicting or sourcing popular mythological subjects. The back is stained with green and decorated with lustered spiral leaf scrolls. This plate was produced by Giulio da Urbino, a maiolica painter who was born in Urbino and worked in different Italian cities throughout his career. For more works by Giulio da Urbino, click on his name in the creator field; for information on ‘maiolica’ in general, see 48.1336.
provenance
H. Wencke Collection, Hamburg [date and mode of acquisition unknown] (?); Seligmann [date and mode of acquisition unknown]; Henry Walters, Baltimore, May 7, 1908, by purchase; Walters Art Museum, 1931, by bequest.
date
1533 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Ceramics
plates
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
3
height
26.3
dimensionsRaw
1 3/16 x 10 3/8 in. (3 x 26.3 cm)
Source extras
inscriptions
[Inscription] On the back center
in blue: 1533 / De gioue ede eropa / Nel • iii libro de Ouidio •M•h• / in urbino: ; decorative floral motif in lustre overtop of ‘in urbino’
med
earthenware with tin glaze (maiolica) and luster decoration
creator_ids
3258
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
a8b3bc6670d216e8
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
811e6d3157c67750
hasOcr
no
hasDescription
no