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Source Description

The front of this dish illustrates an episode from the Roman poet Ovid’s (43 BCE-17 CE) “The Metamorphoses.” On the left, Diana, chaste goddess of the hunt, bathes with her nymphs. On the right, the hunter Actaeon, lost in the woods, stumbled upon a clearing where he caught a glimpse of the goddess. As mortals were not permitted to see Diana naked, the goddess splashed water on Actaeon and changed him into a stag. Actaeon raises his hands in alarm as his transformation begins. Indeed, one of his own dogs sniffs at his feet. Later, his own hounds would hunt him down and kill him. The obverse scene is painted in blue, copper-green, yellow, ochre, manganese, grey, brown, black, and opaque white. The back of the dish is decorated with two double and two single spirals painted in red and gold luster on a bluish-white background. The date, 1540, is inscribed in the center. This dish is representative of “istoriato” (tells a story) maiolica, which often featured episodes from Classical or Biblical narratives. The gold and ruby luster glazes exhibited throughout the composition were used by many maiolica workshops in Gubbio and Urbino. For more on “istoriato,” see 48.1487

Scholar Source Context

Document identity
localId
13905
label
Dish with Diana and Nymphs Bathing
core
obj
dtoType
object
pageCount
2
Source metadata
id
13905
contentType
object
stage
normalized
title
Dish with Diana and Nymphs Bathing
description
The front of this dish illustrates an episode from the Roman poet Ovid’s (43 BCE-17 CE) “The Metamorphoses.” On the left, Diana, chaste goddess of the hunt, bathes with her nymphs. On the right, the hunter Actaeon, lost in the woods, stumbled upon a clearing where he caught a glimpse of the goddess. As mortals were not permitted to see Diana naked, the goddess splashed water on Actaeon and changed him into a stag. Actaeon raises his hands in alarm as his transformation begins. Indeed, one of his own dogs sniffs at his feet. Later, his own hounds would hunt him down and kill him. The obverse scene is painted in blue, copper-green, yellow, ochre, manganese, grey, brown, black, and opaque white. The back of the dish is decorated with two double and two single spirals painted in red and gold luster on a bluish-white background. The date, 1540, is inscribed in the center. This dish is representative of “istoriato” (tells a story) maiolica, which often featured episodes from Classical or Biblical narratives. The gold and ruby luster glazes exhibited throughout the composition were used by many maiolica workshops in Gubbio and Urbino. For more on “istoriato,” see 48.1487
provenance
Seligmann, Rey & Co. [date and mode of acquisition unknown]; Henry Walters, Baltimore [date of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1540 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Ceramics
dishes
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
4.7
height
25.1
dimensionsRaw
1 7/8 x 9 7/8 in. (4.7 x 25.1 cm)
Source extras
cul
Italian Renaissance
inscriptions
[Inscription] In the center
a decorative motive in ruby lustre; [Date] In ruby lustre: 1540
med
earthenware with tin glaze (maiolica) and luster decoration
creator_ids
33562
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
9826ed78664c0212
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
65ed491dabc569ad
hasOcr
no
hasDescription
no