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The six portraits are of revered Mughal rulers and their royal wives. The third oval from the left, for example, is a portrait of the last Mughal emperor, Bahadur Shah Zafar (r. 1837–57, d. 1862). A skilled calligrapher, Bahadur was well versed in the history of art, architecture, garden design, and poetry. The fourth oval is a portrait of Arjumand Banu Begam, better known as known as Mumtaz Mahal (Elect of the Palace), the beloved wife of Shah Jahan (r. 1628–58). She died after giving birth to her 14th child in 1631. Shah Jahan built a great mausoleum to house her body. The result was the great Taj Mahal at Agra, India.The six segments of this bracelet feature miniature portraits of three Mughal emperors and their consorts. Indian artists adopted the technique of painting portrait miniatures on ivory with watercolors from British artists living and working in India during the 19th century. This delicate bracelet is, therefore, an interesting example of the cultural exchange between East and West during the period of European imperialism.

Page data

Page
4
Source index
0
Type
photo
Media ID
3695aa3d2f53d28a
Size
unknown

Document data

ID
14966
Core
obj
Type
object
DTO data
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    "id": "14966",
    "sourceUrl": "https://purl.thewalters.org/art/38.665",
    "contentType": "object",
    "stage": "normalized",
    "title": "Bracelet with Portrait Miniatures",
    "description": "The six portraits are of revered Mughal rulers and their royal wives. The third oval from the left, for example, is a portrait of the last Mughal emperor, Bahadur Shah Zafar (r. 1837–57, d. 1862). A skilled calligrapher, Bahadur was well versed in the history of art, architecture, garden design, and poetry. The fourth oval is a portrait of Arjumand Banu Begam, better known as known as Mumtaz Mahal (Elect of the Palace), the beloved wife of Shah Jahan (r. 1628–58). She died after giving birth to her 14th child in 1631. Shah Jahan built a great mausoleum to house her body. The result was the great Taj Mahal at Agra, India.The six segments of this bracelet feature miniature portraits of three Mughal emperors and their consorts. Indian artists adopted the technique of painting portrait miniatures on ivory with watercolors from British artists living and working in India during the 19th century. This delicate bracelet is, therefore, an interesting example of the cultural exchange between East and West during the period of European imperialism.",
    "provenance": "John D. Schapiro, Monkton, Maryland; Mrs. Jerry Cascarella [date and mode of acquisition unknown]; Walters Art Museum, 1999, by gift.",
    "date": "1860-1870",
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    "rightsUri": "CC0",
    "language": "en",
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    "source": "import",
    "dimensionsRaw": "L: 7 1/2 in. (19.1 cm)"
}

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Document identity
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    "localId": "14966",
    "label": "Bracelet with Portrait Miniatures",
    "core": "obj",
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Document source metadata
{
    "id": "14966",
    "sourceUrl": "https://purl.thewalters.org/art/38.665",
    "contentType": "object",
    "stage": "normalized",
    "title": "Bracelet with Portrait Miniatures",
    "description": "The six portraits are of revered Mughal rulers and their royal wives. The third oval from the left, for example, is a portrait of the last Mughal emperor, Bahadur Shah Zafar (r. 1837–57, d. 1862). A skilled calligrapher, Bahadur was well versed in the history of art, architecture, garden design, and poetry. The fourth oval is a portrait of Arjumand Banu Begam, better known as known as Mumtaz Mahal (Elect of the Palace), the beloved wife of Shah Jahan (r. 1628–58). She died after giving birth to her 14th child in 1631. Shah Jahan built a great mausoleum to house her body. The result was the great Taj Mahal at Agra, India.The six segments of this bracelet feature miniature portraits of three Mughal emperors and their consorts. Indian artists adopted the technique of painting portrait miniatures on ivory with watercolors from British artists living and working in India during the 19th century. This delicate bracelet is, therefore, an interesting example of the cultural exchange between East and West during the period of European imperialism.",
    "provenance": "John D. Schapiro, Monkton, Maryland; Mrs. Jerry Cascarella [date and mode of acquisition unknown]; Walters Art Museum, 1999, by gift.",
    "date": "1860-1870",
    "citationUrl": "https://purl.thewalters.org/art/38.665",
    "rightsUri": "CC0",
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    "pageCount": 9,
    "source": "import",
    "dimensionsRaw": "L: 7 1/2 in. (19.1 cm)"
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Document source extras
{
    "cul": "Mughal",
    "style": "Mughal",
    "med": "watercolor on ivory, gold",
    "creator_ids": [
        "2191"
    ],
    "collection_ids": [
        "ISL",
        "INT",
        "JWL"
    ],
    "exhibition_ids": [
        "1954",
        "3027"
    ]
}
Page context
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