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Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. The royal figure depicted here is seen seated on a throne. He is surrounded by two courtiers on either side. Two seated courtiers appear on the upper register, while two harpies stand beneath the throne. The kufic lettering on the inner rim is a pseudo-inscription, whereas the outside inscription is in naskhi.
Page data
- Page
- 4
- Source index
- 0
- Type
- photo
- Media ID
- 81284e84185a6c26
- Size
- unknown
Document data
- ID
- 16218
- Core
- obj
- Type
- object
DTO data
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"sourceUrl": "https://purl.thewalters.org/art/48.1049",
"contentType": "object",
"stage": "normalized",
"title": "Bowl with Enthroned Ruler, Courtiers, and Harpies",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. The royal figure depicted here is seen seated on a throne. He is surrounded by two courtiers on either side. Two seated courtiers appear on the upper register, while two harpies stand beneath the throne. The kufic lettering on the inner rim is a pseudo-inscription, whereas the outside inscription is in naskhi.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1927, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
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"dimensionsRaw": "Overall: 3 1/16 x 7 1/8 in. (7.8 x 18.1 cm)"
}
Context sent to Scholar
Document identity
{
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"label": "Bowl with Enthroned Ruler, Courtiers, and Harpies",
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Document source metadata
{
"id": "16218",
"sourceUrl": "https://purl.thewalters.org/art/48.1049",
"contentType": "object",
"stage": "normalized",
"title": "Bowl with Enthroned Ruler, Courtiers, and Harpies",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. The royal figure depicted here is seen seated on a throne. He is surrounded by two courtiers on either side. Two seated courtiers appear on the upper register, while two harpies stand beneath the throne. The kufic lettering on the inner rim is a pseudo-inscription, whereas the outside inscription is in naskhi.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1927, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
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}
Document source extras
{
"med": "fritware, white underglaze, black, blue, green, purple, pink, red and white colors overglaze enamel, traces of gilding",
"creator_ids": [
"6768"
],
"collection_ids": [],
"exhibition_ids": []
}
Page context
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