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Source Description

In later life, Solomon, the Old Testament king famous for his wisdom, fell under the influence of his 700 foreign wives and turned to idolatry, building temples for their gods (1 Kings). This plaque and its companion "Jael Killing Sisera" are from a series "The Power of Women," based on engravings of around 1569, published in Antwerp by Philips Galle (1537-1612). Other subjects include Eve offering the Apple to Adam, Delilah Cutting Sampson's Hair, and Judith Killing Holofernes. The women are represented as using their sexuality to control men. The series mixes the heroic and the tawdry, making little concession to the exemplary bravery and achievements of Judith or Jahel. An example of social "backlash," the series was popular only where middle-class women had gained greater access to education and legal rights.Pierre Reymond, who monogrammed the plaques, is known for sophisticated painted enamel display tableware.

Scholar Source Context

Document identity
localId
16450
label
Plaque with Solomon Turning to Idolatry
core
obj
dtoType
object
pageCount
1
Source metadata
id
16450
contentType
object
stage
normalized
title
Plaque with Solomon Turning to Idolatry
description
In later life, Solomon, the Old Testament king famous for his wisdom, fell under the influence of his 700 foreign wives and turned to idolatry, building temples for their gods (1 Kings). This plaque and its companion "Jael Killing Sisera" are from a series "The Power of Women," based on engravings of around 1569, published in Antwerp by Philips Galle (1537-1612). Other subjects include Eve offering the Apple to Adam, Delilah Cutting Sampson's Hair, and Judith Killing Holofernes. The women are represented as using their sexuality to control men. The series mixes the heroic and the tawdry, making little concession to the exemplary bravery and achievements of Judith or Jahel. An example of social "backlash," the series was popular only where middle-class women had gained greater access to education and legal rights.Pierre Reymond, who monogrammed the plaques, is known for sophisticated painted enamel display tableware.
provenance
Duke of Cambacérès Collection [date and mode of acquisition unknown]; Henri Daguerre, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.
date
1550-1575 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Enamels
plaques
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
30.5
height
24.8
depth
1.3
dimensionsRaw
H: 12 × W: 9 3/4 × D: 1/2 in. (30.5 × 24.8 × 1.3 cm)
Source extras
RelatedObjects
11969
med
painted enamel on copper, gilding
creator_ids
5948
collection_ids
REN
exhibition_ids
2603
Single page context
seq
1
pageIndex
0
type
photo
mediaId
0bd9f3952f0d84ac