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Source Description
The rape of Lucretia, a noble Roman matron known for her beauty and virtue, by the Etruscan prince Tarquinius (here, originally wielding a knife), was recounted by Roman authors as a pivotal event in their early history. After the rape, Lucretia committed suicide to save her father and brother from dishonor. As a result, outraged Romans overthrew their Etruscan rulers.Hubert Gerhard was trained by his fellow Netherlander Giovanni Bologna in Florence but worked primarily for courts in Germany. The dramatic tension, vigorous muscularity, compositional complexities, and sensuality of Gerhard's style are distilled in the electric torsion of the male torso, from which the compositional rhythms flow. Most of Gerhard's bronzes are large, and none of the smaller ones associated with him is signed, so the attribution is hard to clarify. There are other fine casts of this popular piece in Cleveland and New York.
Scholar Source Context
Document identity
localId
16663
label
Tarquinius Attacking Lucretia
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
16663
sourceUrl
contentType
object
stage
normalized
title
Tarquinius Attacking Lucretia
description
The rape of Lucretia, a noble Roman matron known for her beauty and virtue, by the Etruscan prince Tarquinius (here, originally wielding a knife), was recounted by Roman authors as a pivotal event in their early history. After the rape, Lucretia committed suicide to save her father and brother from dishonor. As a result, outraged Romans overthrew their Etruscan rulers.Hubert Gerhard was trained by his fellow Netherlander Giovanni Bologna in Florence but worked primarily for courts in Germany. The dramatic tension, vigorous muscularity, compositional complexities, and sensuality of Gerhard's style are distilled in the electric torsion of the male torso, from which the compositional rhythms flow. Most of Gerhard's bronzes are large, and none of the smaller ones associated with him is signed, so the attribution is hard to clarify. There are other fine casts of this popular piece in Cleveland and New York.
provenance
Henry Walters, Baltimore, 1904 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1600-1625 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Metal
sculpture (visual works)
imageCount
1
pageCount
1
source
import
dimensionsRaw
22 1/2 in. (57.1 cm)
Source extras
med
bronze
creator_ids
2630
collection_ids
BAR
exhibition_ids
34
13
2744
Single page context
seq
1
pageIndex
0
type
photo
mediaId
e34e76407b8c05bb