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Source Description
This plate with a broad, decorative border defined by floral scrolling surrounding a narrative or landscape scene is typical of the kind produced by the workshop of Carlo Antonio Grue—a maiolica painter from the town of Castelli—in the late 17th century. The scene in the center of two fully armored knights fighting with bears is puzzling and one wonders if the contemporary viewer found it so as well. The early 16th-century armor and the character of the composition, as well as the floral scrolling border suggest that the scene is derived from a German Renaissance print and was possibly meant as a romantic fantasy of medieval chivalry. The plate is painted in grey-blue, grey-green, yellow, ochre, and manganese. For the Grue family of maiolica artists, see no. 48.1755; for other works by Carlo Antonio, click on the artist’s name in the “creator” field; for additional information on "maiolica," see 48.1336.
Scholar Source Context
Document identity
localId
18449
label
Plate with Two Knights Fighting Bears
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
18449
sourceUrl
contentType
object
stage
normalized
title
Plate with Two Knights Fighting Bears
description
This plate with a broad, decorative border defined by floral scrolling surrounding a narrative or landscape scene is typical of the kind produced by the workshop of Carlo Antonio Grue—a maiolica painter from the town of Castelli—in the late 17th century. The scene in the center of two fully armored knights fighting with bears is puzzling and one wonders if the contemporary viewer found it so as well. The early 16th-century armor and the character of the composition, as well as the floral scrolling border suggest that the scene is derived from a German Renaissance print and was possibly meant as a romantic fantasy of medieval chivalry. The plate is painted in grey-blue, grey-green, yellow, ochre, and manganese. For the Grue family of maiolica artists, see no. 48.1755; for other works by Carlo Antonio, click on the artist’s name in the “creator” field; for additional information on "maiolica," see 48.1336.
provenance
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1680 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
plates
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
4.3
height
2.4
dimensionsRaw
1 11/16 x 15/16 in. (4.3 x 2.4 cm)
Source extras
med
earthenware with tin glaze (maiolica) and gold luster
creator_ids
2193
collection_ids
BAR
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
1ff5daea9c532c0c