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Source Description

This urn for wine shows a drunken Silenus, the ribald companion of the wine-god Bacchus, with his attendants who crown him with garlands, carry cornucopias with grapes, and press wine, activities associated with Bacchic ecstasy. The scene was influenced by an engraving made ca. 1597 more than a century earlier by the well-known painter Annibale Carracci (1560-1609), inspired by an ancient carved gem in the collection of the Farnese family in Rome. This urn was painted in 1720 at Bussi or Castelli, by Francesco Antonio Grue, a member of the family who, since the seventeenth century, contributed to the prosperity of the maiolica trade in the kingdom of Naples. The bottle’s imagery exemplifies the revival of the “istoriato” (tells a story) genre, which was influenced by Classical narratives and flourished at Urbino during the Renaissance. The strong coloring used by Urbino workshops has been replaced here by a “Rococo” palette with its subdued yellows and grayish blues that set off the pale, dry green. To view other works by Francesco, click on his name in the creator field; to see wares produced by earlier generations of the Grue family, see 48.1751, 48.1752, 48.1753, and 48.1755.

Scholar Source Context

Document identity
localId
19644
label
Small Urn with Silenus
core
obj
dtoType
object
pageCount
1
Source metadata
id
19644
contentType
object
stage
normalized
title
Small Urn with Silenus
description
This urn for wine shows a drunken Silenus, the ribald companion of the wine-god Bacchus, with his attendants who crown him with garlands, carry cornucopias with grapes, and press wine, activities associated with Bacchic ecstasy. The scene was influenced by an engraving made ca. 1597 more than a century earlier by the well-known painter Annibale Carracci (1560-1609), inspired by an ancient carved gem in the collection of the Farnese family in Rome. This urn was painted in 1720 at Bussi or Castelli, by Francesco Antonio Grue, a member of the family who, since the seventeenth century, contributed to the prosperity of the maiolica trade in the kingdom of Naples. The bottle’s imagery exemplifies the revival of the “istoriato” (tells a story) genre, which was influenced by Classical narratives and flourished at Urbino during the Renaissance. The strong coloring used by Urbino workshops has been replaced here by a “Rococo” palette with its subdued yellows and grayish blues that set off the pale, dry green. To view other works by Francesco, click on his name in the creator field; to see wares produced by earlier generations of the Grue family, see 48.1751, 48.1752, 48.1753, and 48.1755.
provenance
Mr. Joseph V. Vizcarra, Lombard, Illinois [date and mode of acquistion unknown]; Walters Art Museum, June 8, 1955, by purchase.
date
1720 (Baroque)
rightsUri
CC0
language
en
genreSpecific
Ceramics
urns
imageCount
1
pageCount
1
source
import
dimensionsRaw
5 1/4 in. (13.3 cm)
Source extras
inscriptions
said to be signed by Francesco Antonio Grue and dated 1720
med
earthenware with tin glaze (maiolica)
creator_ids
6888
collection_ids
BAR
EAN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
0c346d5c2c924c39