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The figures of Adam and Eve were carved separately and then set into the base. They are derived from Albrecht Dürer's enormously influential and often-copied engraving. Dürer himself based his representations of the first man, whom the Old Testament describes as made "in the image of God," on a then-famous antique statue of the Olympian god most known for his beauty, Apollo.The carver was probably not aware of the classical source for Dürer's Adam; he certainly made the proportions chunkier. In general, wood carvers were little influenced by the aesthetic norms of classical sculpture.

Page data

Page
3
Source index
0
Type
photo
Media ID
e35fdd023d7228ef
Size
unknown

Document data

ID
20934
Core
obj
Type
object
DTO data
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    "title": "The Temptation of Adam and Eve",
    "description": "The figures of Adam and Eve were carved separately and then set into the base. They are derived from Albrecht Dürer's enormously influential and often-copied engraving.  Dürer himself based his representations of the first man, whom the Old Testament describes as made \"in the image of God,\" on a then-famous antique statue of the Olympian god most known for his beauty, Apollo.The carver was probably not aware of the classical source for Dürer's Adam; he certainly made the proportions chunkier. In general, wood carvers were little influenced by the aesthetic norms of classical sculpture.",
    "provenance": "[Paris]; Henry Walters, Baltimore, 1893 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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Document identity
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Document source metadata
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    "id": "20934",
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    "contentType": "object",
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    "title": "The Temptation of Adam and Eve",
    "description": "The figures of Adam and Eve were carved separately and then set into the base. They are derived from Albrecht Dürer's enormously influential and often-copied engraving.  Dürer himself based his representations of the first man, whom the Old Testament describes as made \"in the image of God,\" on a then-famous antique statue of the Olympian god most known for his beauty, Apollo.The carver was probably not aware of the classical source for Dürer's Adam; he certainly made the proportions chunkier. In general, wood carvers were little influenced by the aesthetic norms of classical sculpture.",
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Document source extras
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Page context
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