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One hundred monkeys was a typical motif for Mitsuhiro and other members of his school. A multitude of monkeys are carved into the body of the tsuba. Their eyes are highlighted in gold. Hidden throughout the design are monkeys with special characteristics. In the upper portion are the three monkeys who see no evil, hear no evil, and speak no evil. At the lower right, two monkeys are neck-wrestling with a rope tied around their necks. In the upper left section, a monkey holds a giant peach. At the lower left, a monkey has a bag over its shoulder. In the upper right is a monkey carrying fan or a baton. This tsuba is similar to another in the Walters collection by the same artist made of copper (51.112). Other known examples by Mitsuhiro are almost all in the same style with a single motif carved throughout the tsuba.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 51407de3127639f2
- Size
- unknown
Document data
- ID
- 21366
- Core
- obj
- Type
- object
DTO data
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"id": "21366",
"sourceUrl": "https://purl.thewalters.org/art/51.133",
"contentType": "object",
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"title": "Tsuba with One Hundred Monkeys",
"description": "One hundred monkeys was a typical motif for Mitsuhiro and other members of his school. A multitude of monkeys are carved into the body of the tsuba. Their eyes are highlighted in gold. Hidden throughout the design are monkeys with special characteristics. In the upper portion are the three monkeys who see no evil, hear no evil, and speak no evil. At the lower right, two monkeys are neck-wrestling with a rope tied around their necks. In the upper left section, a monkey holds a giant peach. At the lower left, a monkey has a bag over its shoulder. In the upper right is a monkey carrying fan or a baton. This tsuba is similar to another in the Walters collection by the same artist made of copper (51.112). Other known examples by Mitsuhiro are almost all in the same style with a single motif carved throughout the tsuba.",
"provenance": "Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "1770-1823 (Edo)",
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"language": "en",
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}
Context sent to Scholar
Document identity
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"label": "Tsuba with One Hundred Monkeys",
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"citationUrl": "https://purl.thewalters.org/art/51.133"
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Document source metadata
{
"id": "21366",
"sourceUrl": "https://purl.thewalters.org/art/51.133",
"contentType": "object",
"stage": "normalized",
"title": "Tsuba with One Hundred Monkeys",
"description": "One hundred monkeys was a typical motif for Mitsuhiro and other members of his school. A multitude of monkeys are carved into the body of the tsuba. Their eyes are highlighted in gold. Hidden throughout the design are monkeys with special characteristics. In the upper portion are the three monkeys who see no evil, hear no evil, and speak no evil. At the lower right, two monkeys are neck-wrestling with a rope tied around their necks. In the upper left section, a monkey holds a giant peach. At the lower left, a monkey has a bag over its shoulder. In the upper right is a monkey carrying fan or a baton. This tsuba is similar to another in the Walters collection by the same artist made of copper (51.112). Other known examples by Mitsuhiro are almost all in the same style with a single motif carved throughout the tsuba.",
"provenance": "Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "1770-1823 (Edo)",
"citationUrl": "https://purl.thewalters.org/art/51.133",
"rightsUri": "CC0",
"language": "en",
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Document source extras
{
"cul": "Japanese",
"style": "Hizen School",
"inscriptions": "[Signature] 肥州矢上住 光廣; [Transliteration] hishu yagami ju/mitsuhiro; [Translation] Living at Yagami in Hizen province/Mitsuhiro",
"med": "silver",
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"3160"
],
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"JMA"
],
"exhibition_ids": []
}
Page context
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