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Document source description
Enlarged initials filled with humans or animals are known as "inhabited initials," and they tend to be playful rather than illustrations of the text. On this page, two armored soldiers scale the initial L at the beginning of Matthew's Gospel. One hoists the other up on his shoulders, perhaps offering his companion a better view of the angel on the opposite page. While fun, these types of images were also useful, since they visually marked sections of text.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- ce46bfd929618bdc
- Size
- unknown
Document data
- ID
- 2162
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Inhabited Initial L",
"description": "Enlarged initials filled with humans or animals are known as \"inhabited initials,\" and they tend to be playful rather than illustrations of the text. On this page, two armored soldiers scale the initial L at the beginning of Matthew's Gospel. One hoists the other up on his shoulders, perhaps offering his companion a better view of the angel on the opposite page. While fun, these types of images were also useful, since they visually marked sections of text.",
"provenance": "Leon Gruel, Paris, late 19th century; Henry Walters, Baltimore, after 1894 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1100 (Medieval)",
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"dimensionsRaw": "H: 11 1/4 x W: 9 3/16 in. (28.6 x 23.3 cm)"
}
Context sent to Scholar
Document identity
{
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"label": "Inhabited Initial L",
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Document source metadata
{
"id": "2162",
"sourceUrl": "https://purl.thewalters.org/art/W.17.9R",
"contentType": "object",
"stage": "normalized",
"title": "Inhabited Initial L",
"description": "Enlarged initials filled with humans or animals are known as \"inhabited initials,\" and they tend to be playful rather than illustrations of the text. On this page, two armored soldiers scale the initial L at the beginning of Matthew's Gospel. One hoists the other up on his shoulders, perhaps offering his companion a better view of the angel on the opposite page. While fun, these types of images were also useful, since they visually marked sections of text.",
"provenance": "Leon Gruel, Paris, late 19th century; Henry Walters, Baltimore, after 1894 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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}
Document source extras
{
"style": "Romanesque",
"med": "parchment with ink and paint",
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],
"collection_ids": [
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Page context
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