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The iconography of the Nativity reflects the influence of the 14th- and 15th-century writers who embroidered the stories of the birth and Passion of Christ with many picturesque details. According to the mystical visions of St. Bridget of Sweden, when Joseph held a candle near the New-born, its light was obscured by the child's divine radiance. Joseph, holding his candle, is seen here seated on the right.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- e23d3ef3d3d13708
- Size
- unknown
Document data
- ID
- 21769
- Core
- obj
- Type
- object
DTO data
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"title": "The Annunciation and Nativity",
"description": "The iconography of the Nativity reflects the influence of the 14th- and 15th-century writers who embroidered the stories of the birth and Passion of Christ with many picturesque details. According to the mystical visions of St. Bridget of Sweden, when Joseph held a candle near the New-born, its light was obscured by the child's divine radiance. Joseph, holding his candle, is seen here seated on the right.",
"provenance": "Marcus Antocolsky, Paris, by purchase; Sale, Hotel Drouot, Paris, June 10, 1901; George Robinson Harding, London, 1901, by purchase; Henry Walters, Baltimore, June 15, 1901, by purchase; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar
Document identity
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Document source metadata
{
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"contentType": "object",
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"title": "The Annunciation and Nativity",
"description": "The iconography of the Nativity reflects the influence of the 14th- and 15th-century writers who embroidered the stories of the birth and Passion of Christ with many picturesque details. According to the mystical visions of St. Bridget of Sweden, when Joseph held a candle near the New-born, its light was obscured by the child's divine radiance. Joseph, holding his candle, is seen here seated on the right.",
"provenance": "Marcus Antocolsky, Paris, by purchase; Sale, Hotel Drouot, Paris, June 10, 1901; George Robinson Harding, London, 1901, by purchase; Henry Walters, Baltimore, June 15, 1901, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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"med": "painted enamel on copper",
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Page context
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