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Document source description
Both through the emphasis on horizontal elements and the use of striation (as in the band between the hair and the forehead), this striking image attempts to re-create some of ideals of classic Cambodian sculpture, which had earlier been widespread in central Thailand. In the 14th and 15th centuries, Thai Buddhists could choose to make an image following the ideals of the new Sukhothai style or one in a modified Cambodian style.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 038d2af90b75f25c
- Size
- unknown
Document data
- ID
- 21789
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Buddha at the Moment of Victory",
"description": "Both through the emphasis on horizontal elements and the use of striation (as in the band between the hair and the forehead), this striking image attempts to re-create some of ideals of classic Cambodian sculpture, which had earlier been widespread in central Thailand. In the 14th and 15th centuries, Thai Buddhists could choose to make an image following the ideals of the new Sukhothai style or one in a modified Cambodian style.",
"provenance": "Mr. Lamai, Kamphaeng Phet; acquired by Alexander B. Griswold, Monkton, Maryland, January 20 1951 [1]; by bequest to Walters Art Museum, 1992.[1] Presented to the Breezewood Foundation, December 1960, inv. no. 719",
"date": "14th-15th century",
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}
Context sent to Scholar
Document identity
{
"localId": "21789",
"label": "Buddha at the Moment of Victory",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/54.2792"
}
Document source metadata
{
"id": "21789",
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"contentType": "object",
"stage": "normalized",
"title": "Buddha at the Moment of Victory",
"description": "Both through the emphasis on horizontal elements and the use of striation (as in the band between the hair and the forehead), this striking image attempts to re-create some of ideals of classic Cambodian sculpture, which had earlier been widespread in central Thailand. In the 14th and 15th centuries, Thai Buddhists could choose to make an image following the ideals of the new Sukhothai style or one in a modified Cambodian style.",
"provenance": "Mr. Lamai, Kamphaeng Phet; acquired by Alexander B. Griswold, Monkton, Maryland, January 20 1951 [1]; by bequest to Walters Art Museum, 1992.[1] Presented to the Breezewood Foundation, December 1960, inv. no. 719",
"date": "14th-15th century",
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Document source extras
{
"cul": "Thai",
"med": "leaded bronze",
"creator_ids": [
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"collection_ids": [
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Page context
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