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Before being purchased by the Walters Art Museum, this watercolor was last publically exhibited at the Sargent memorial exhibition at the Royal Academy, London in 1926. Sargent was probably the most distinguished late 19th-century artist of American descent. He won particular renown for his watercolors in the last two decades of his life. Sargent traveled to Spain several times, and he studied the paintings of Velasquez, which resulted in the production of some of his early masterpieces, most notably the celebrated "El Jaleo" (1882), a painting of a Spanish dancer now in the Isabella Stewart Gardner Museum, Boston. The subject of the Walter's picture is a vase from the Garden of the Andarves in the Alhambra Palace, placed there in the reign of Muhammad V (1354-91). For over four centuries the Alhambra vases were objects of admiration for travelers because of their marvelous cobalt blue and golden lustre and their unusual size. In 17th-century accounts there were at least three vases, but by the time Sargent visited only one was intact. This is now in the Museo Arqueologico de la Alhambra, known as the "Vase of the Gazelles." Although painted with considerable freedom, Sargent's watercolor is an accurate rendering, showing the antelope and tree-of-life motifs and even the puddling of glaze on the collar of the vessel.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- d7b7330a4f458cee
- Size
- unknown
Document data
- ID
- 21891
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "The Alhambra Vase",
"description": "Before being purchased by the Walters Art Museum, this watercolor was last publically exhibited at the Sargent memorial exhibition at the Royal Academy, London in 1926. Sargent was probably the most distinguished late 19th-century artist of American descent. He won particular renown for his watercolors in the last two decades of his life. Sargent traveled to Spain several times, and he studied the paintings of Velasquez, which resulted in the production of some of his early masterpieces, most notably the celebrated \"El Jaleo\" (1882), a painting of a Spanish dancer now in the Isabella Stewart Gardner Museum, Boston. The subject of the Walter's picture is a vase from the Garden of the Andarves in the Alhambra Palace, placed there in the reign of Muhammad V (1354-91). For over four centuries the Alhambra vases were objects of admiration for travelers because of their marvelous cobalt blue and golden lustre and their unusual size. In 17th-century accounts there were at least three vases, but by the time Sargent visited only one was intact. This is now in the Museo Arqueologico de la Alhambra, known as the \"Vase of the Gazelles.\" Although painted with considerable freedom, Sargent's watercolor is an accurate rendering, showing the antelope and tree-of-life motifs and even the puddling of glaze on the collar of the vessel.",
"provenance": "Mrs. Francis Ormond (née Violet Sargent, the artist's sister), by gift (?); Mrs. Hugo Pitman (niece of artist), by inheritance; Walters Art Museum, 1971, by purchase from the Gertrude Stein Gallery, New York.",
"date": "ca. 1879",
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}
Context sent to Scholar
Document identity
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Document source metadata
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"contentType": "object",
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"description": "Before being purchased by the Walters Art Museum, this watercolor was last publically exhibited at the Sargent memorial exhibition at the Royal Academy, London in 1926. Sargent was probably the most distinguished late 19th-century artist of American descent. He won particular renown for his watercolors in the last two decades of his life. Sargent traveled to Spain several times, and he studied the paintings of Velasquez, which resulted in the production of some of his early masterpieces, most notably the celebrated \"El Jaleo\" (1882), a painting of a Spanish dancer now in the Isabella Stewart Gardner Museum, Boston. The subject of the Walter's picture is a vase from the Garden of the Andarves in the Alhambra Palace, placed there in the reign of Muhammad V (1354-91). For over four centuries the Alhambra vases were objects of admiration for travelers because of their marvelous cobalt blue and golden lustre and their unusual size. In 17th-century accounts there were at least three vases, but by the time Sargent visited only one was intact. This is now in the Museo Arqueologico de la Alhambra, known as the \"Vase of the Gazelles.\" Although painted with considerable freedom, Sargent's watercolor is an accurate rendering, showing the antelope and tree-of-life motifs and even the puddling of glaze on the collar of the vessel.",
"provenance": "Mrs. Francis Ormond (née Violet Sargent, the artist's sister), by gift (?); Mrs. Hugo Pitman (niece of artist), by inheritance; Walters Art Museum, 1971, by purchase from the Gertrude Stein Gallery, New York.",
"date": "ca. 1879",
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}
Document source extras
{
"inscriptions": [
"[Inscription] Verso",
"in ink over pencil: By J.S. Sargent; [Inscription] In pencil: V.O.; [Number] In ink: 5/"
],
"med": "watercolor on cream paper",
"creator_ids": [
"6249"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
"432",
"2703",
"525",
"3271"
]
}
Page context
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"url": "https://art.thewalters.org/images/raw/PL1_37.2469_Fnt_TR_T04.jpg",
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