Ask the Scholar

Document scope · 5 pages
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

A scholar or calligrapher would arrange their writing tools on this writing table (bundai). The table surface is decorated with a golden mountain landscape scene with a brook and flowers. The bunches of flowers that dominate the foreground and flank the stream are chrysanthemums. This imagery in Japan is an ancient and common reference to the legend of Kikujidō, Chrysanthemum Boy, who was the subject of a well-known Chinese tale that became the subject of a Japanese Nō play. Chrysanthemum Boy is famed for unknowingly drinking an elixir of immorality from a dewy chrysanthemum leaf on which he had previously written some Buddhist text and then thrown into the nearby stream.The artist built up the landscape scene using maki-e, a technique in which different sizes and shapes of gold leaf and different colors of gold powder are sprinkled on wet lacquer.

Scholar Source Context

Document identity
localId
24799
label
Writing Table (Bundai) with a Brook and Flowers
core
obj
dtoType
object
pageCount
5
Source metadata
id
24799
contentType
object
stage
normalized
title
Writing Table (Bundai) with a Brook and Flowers
description
A scholar or calligrapher would arrange their writing tools on this writing table (bundai). The table surface is decorated with a golden mountain landscape scene with a brook and flowers. The bunches of flowers that dominate the foreground and flank the stream are chrysanthemums. This imagery in Japan is an ancient and common reference to the legend of Kikujidō, Chrysanthemum Boy, who was the subject of a well-known Chinese tale that became the subject of a Japanese Nō play. Chrysanthemum Boy is famed for unknowingly drinking an elixir of immorality from a dewy chrysanthemum leaf on which he had previously written some Buddhist text and then thrown into the nearby stream.The artist built up the landscape scene using maki-e, a technique in which different sizes and shapes of gold leaf and different colors of gold powder are sprinkled on wet lacquer.
provenance
Minoda Chojiro, Centennial Exhibition, Philadelphia, 1876 (?); William T. Walters, Baltimore, 1876, by purchase; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
date
19th century (Edo period)
rightsUri
CC0
language
en
genreSpecific
bundai
imageCount
5
pageCount
5
source
import
dimensions
units
cm
width
8.9
height
56.2
depth
32.1
dimensionsRaw
H: 3 1/2 x W: 22 1/8 x L: 12 5/8 in. (8.89 x 56.2 x 32.07 cm)
Source extras
cul
Japanese
inscriptions
None
dynasty
Edo period
med
Wood, lacquer, silver, gold, copper alloy
creator_ids
6194
collection_ids
none
exhibition_ids
244
2759
Page inventory
seq
1
type
photo
mediaId
5d0de5ebc139dc80
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
025b9e3fd34216a4
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
d530ecbd2d575048
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
89cf33c248967f0d
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
0b5babc5560684e1
hasOcr
no
hasDescription
no