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Source Description
This Psalter was made for, and most likely by, a group of Benedictine nuns at the abbey of saints Ulrich and Afra in Augsburg, Germany. Although the Psalter itself, along with its calendar, dates to the late twelfth or early thirteenth century, a number of texts and prayers were added in the mid thirteenth century. Most striking about the manuscript are its illuminations, which include a prefatory cycle, full-page miniatures, and historiated initials. While all are Romanesque in style, they vary greatly in quality and technique, and three or four different artists seem to have been at work. The Claricia Psalter takes its name from one of the initials, which depicts a young girl in secular dress swinging from the initial "Q," who has "Claricia" written around her head. It has been suggested that the image represents a novice artist who signed her work, but there are many other theories, and none are certain.
Scholar Source Context
Document identity
localId
25823
label
Leaf from Claricia Psalter: Claricia Swinging on Initial Q
core
obj
dtoType
object
citationUrl
pageCount
3
Source metadata
id
25823
sourceUrl
contentType
object
stage
normalized
title
Leaf from Claricia Psalter: Claricia Swinging on Initial Q
description
This Psalter was made for, and most likely by, a group of Benedictine nuns at the abbey of saints Ulrich and Afra in Augsburg, Germany. Although the Psalter itself, along with its calendar, dates to the late twelfth or early thirteenth century, a number of texts and prayers were added in the mid thirteenth century. Most striking about the manuscript are its illuminations, which include a prefatory cycle, full-page miniatures, and historiated initials. While all are Romanesque in style, they vary greatly in quality and technique, and three or four different artists seem to have been at work. The Claricia Psalter takes its name from one of the initials, which depicts a young girl in secular dress swinging from the initial "Q," who has "Claricia" written around her head. It has been suggested that the image represents a novice artist who signed her work, but there are many other theories, and none are certain.
provenance
Made for an abbey in southern Germany, probably the Benedictine house of SS. Ulrich and Afra in Augsburg [Ulrich and Afra appear in the calendar and are depicted on fol. 131v; thirteenth-century note in German, top of fol. 2r]; Bénigne-Charles Févret de Saint-Mémin (1770-1852) [date and mode of acquisition unknown] [bookplate originally on front pastedown, no longer extant]; Prince of Stolberg-Wernigerode, Zeisberg sale, Wernigerode, October 10, 1854, no. 37 [no. Za51 on spine]; G. Schar [date and mode of acquisition unknown] [G. Schar 20 on fol. 1r]; Léon Gruel collection, Paris, late 19th-early 20th century [mode of acquisition unknown]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
late 12th-early 13th century (Medieval)
citationUrl
rightsUri
CC0
language
en
genreSpecific
illuminated manuscripts
folios (leaves)
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
22.8
height
15
dimensionsRaw
H: 9 x W: 5 7/8 in. (22.8 x 15 cm)
Source extras
style
Romanesque
med
ink and paint on medium-thick, well-prepared parchment
creator_ids
6211
collection_ids
MSS
MED
exhibition_ids
96
2289
3673
Page inventory
seq
1
type
photo
mediaId
a8bf359ea15912b8
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
27d50decdb3c30f8
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
562a0aa7ff7a451c
hasOcr
no
hasDescription
no