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Source Description

Padmavati is the "yakshi," or attendant goddess, of the Jina Parshvanatha. Each Jina is associated with a female "yakshi" and male "yaksha," divinities who protect the Jain teachings. Like the ancient Indic divinities also called "yakshis" and "yakshas," they are also associated with material wellbeing. Unlike Jinas, who have become liberated from worldly existence and are worshiped for the ideals they represent, "yakshis" and "yakshas" are present in the world and directly available to their devotees.Padmavati is especially popular in the southwestern Indian region of Karnataka, where this sculpture was made. Seated in the center of a lotus, she is surrounded by her own attendant goddesses, who sit on its unfurled petals. The details of the sculpture have become worn through years of ritual worship, in which priests and other devotees honor the goddess by pouring sacred liquids over her image as they recite words of praise.

Scholar Source Context

Document identity
localId
26253
label
Mandala of Padmavati
core
obj
dtoType
object
pageCount
9
Source metadata
id
26253
contentType
object
stage
normalized
title
Mandala of Padmavati
description
Padmavati is the "yakshi," or attendant goddess, of the Jina Parshvanatha. Each Jina is associated with a female "yakshi" and male "yaksha," divinities who protect the Jain teachings. Like the ancient Indic divinities also called "yakshis" and "yakshas," they are also associated with material wellbeing. Unlike Jinas, who have become liberated from worldly existence and are worshiped for the ideals they represent, "yakshis" and "yakshas" are present in the world and directly available to their devotees.Padmavati is especially popular in the southwestern Indian region of Karnataka, where this sculpture was made. Seated in the center of a lotus, she is surrounded by her own attendant goddesses, who sit on its unfurled petals. The details of the sculpture have become worn through years of ritual worship, in which priests and other devotees honor the goddess by pouring sacred liquids over her image as they recite words of praise.
provenance
John and Berthe Ford, Baltimore; given to Walters Art Museum, 2002.
date
11th century
rightsUri
CC0
language
en
genreSpecific
Metal
sculpture (visual works)
imageCount
9
pageCount
9
source
import
dimensions
units
cm
width
15.2
height
12.5
depth
12.5
dimensionsRaw
H: 6 × W: 4 15/16 × D: 4 15/16 in. (15.2 × 12.5 × 12.5 cm)
Source extras
med
copper alloy with silver inlay
creator_ids
2191
collection_ids
INT
exhibition_ids
none
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