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Carved in low relief, this plaque was probably made to decorate a small casket. It is based on an engraving by Barthel Beham (1502–40) entitled by the artist RAPTUS / HELENAE (The Abduction of Helen). The subject here, however, is not the abduction of Queen Helen by the Trojan prince Paris (calling for princely attire) but a generic "battle of wild men," itself a popular Renaissance subject. The artist may have given some of the abductors African facial features to make them look more savage to European viewers.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- c1e0da33aa64cb8b
- Size
- unknown
Document data
- ID
- 2633
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
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"title": "Plaque with a Battle of Naked Men over the Abduction of a Woman",
"description": "Carved in low relief, this plaque was probably made to decorate a small casket. It is based on an engraving by Barthel Beham (1502–40) entitled by the artist RAPTUS / HELENAE (The Abduction of Helen). The subject here, however, is not the abduction of Queen Helen by the Trojan prince Paris (calling for princely attire) but a generic \"battle of wild men,\" itself a popular Renaissance subject. The artist may have given some of the abductors African facial features to make them look more savage to European viewers.",
"provenance": "Sir Thomas D. Gibson. Carmichael Sale, Christie's, London, May 12, 1902, no. 5; Harding, New York; Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.",
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Document identity
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"core": "obj",
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Document source metadata
{
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"contentType": "object",
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"title": "Plaque with a Battle of Naked Men over the Abduction of a Woman",
"description": "Carved in low relief, this plaque was probably made to decorate a small casket. It is based on an engraving by Barthel Beham (1502–40) entitled by the artist RAPTUS / HELENAE (The Abduction of Helen). The subject here, however, is not the abduction of Queen Helen by the Trojan prince Paris (calling for princely attire) but a generic \"battle of wild men,\" itself a popular Renaissance subject. The artist may have given some of the abductors African facial features to make them look more savage to European viewers.",
"provenance": "Sir Thomas D. Gibson. Carmichael Sale, Christie's, London, May 12, 1902, no. 5; Harding, New York; Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.",
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Document source extras
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Page context
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