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Source Description

This manuscript fragment provides valuable clues about the prayer book of which it was once a part. The colophon on the verso of the image records that the manuscript was written at the Monastery of SS. Ulrich and Afra in Augsburg, Germany, in 1516 by the prolific scribe Leonhard Wirstlin, known also as Leonhard Wagner. The image on the recto, a simple but expressive drawing of the crucified Christ, may be connected to another important figure from the time, as it is believed to be the work of an artist from the circle of Hans Holbein the Elder. A painted floral border, now missing its accompanying text, has traditionally been paired with the intact leaf and is presumed to have come from the same manuscript. Although the illuminations are striking, the main leaf was originally purchased by the Walters not for its art but for its script: it provides an excellent example of what is referred to as Augsburg Maximilian script, which has interesting parallels in printed works of the same period.

Scholar Source Context

Document identity
localId
27245
label
Single Leaf and Fragment with Crucifixion and Colophon
core
obj
dtoType
object
pageCount
1
Source metadata
id
27245
contentType
object
stage
normalized
title
Single Leaf and Fragment with Crucifixion and Colophon
description
This manuscript fragment provides valuable clues about the prayer book of which it was once a part. The colophon on the verso of the image records that the manuscript was written at the Monastery of SS. Ulrich and Afra in Augsburg, Germany, in 1516 by the prolific scribe Leonhard Wirstlin, known also as Leonhard Wagner. The image on the recto, a simple but expressive drawing of the crucified Christ, may be connected to another important figure from the time, as it is believed to be the work of an artist from the circle of Hans Holbein the Elder. A painted floral border, now missing its accompanying text, has traditionally been paired with the intact leaf and is presumed to have come from the same manuscript. Although the illuminations are striking, the main leaf was originally purchased by the Walters not for its art but for its script: it provides an excellent example of what is referred to as Augsburg Maximilian script, which has interesting parallels in printed works of the same period.
provenance
Ed. Schultze, Munich, before 1901 [mode of acquisition unknown]; Schultze Sale, Munich, February 7-15, 1901; Fred Werther, Baltimore, before 1945 [mode of acquisition unknown]; Walters Art Museum, 1945, by purchase.
date
1516
rightsUri
CC0
language
en
genreSpecific
illuminated manuscripts
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
13.7
height
10.9
dimensionsRaw
Folio H: 5 3/8 × W: 4 5/16 in. (13.7 × 10.9 cm)
Source extras
med
ink and pigments on medium-weight, heavily worn parchment
creator_ids
8524
31600
collection_ids
MSS
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
6ab724c0454bd031