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Source Description
Marguerite of Angouleme (1492-1549) was the sister of King Francis I of France. Two years after her first husband's death in 1525, she married Henry of Navarre and became queen of the tiny kingdom of Navarre. She is portrayed here as a widow, contemplating a cross; on the reverse is an image of the Virgin with her mother and family known as the Holy Kinship, perhaps to honor the queen's own family. In the 1600s, she remained highly regarded for her writings, chiefly on the challenge of reconciling a worldly life with a Christian one.The subtle execution would be remarkable for an enamel portrait of 1525-27, and is more consistent with later portraits by Leonard Limosin, who worked for Marguerite's husband Henry. The effect of the white bust against a dark oval background is like a Roman cameo. There are at least three versions of this fine portrait, probably made for relatives and admirers.
Scholar Source Context
Document identity
localId
28332
label
Portrait of Marguerite of Navarre
core
obj
dtoType
object
citationUrl
pageCount
5
Source metadata
id
28332
sourceUrl
contentType
object
stage
normalized
title
Portrait of Marguerite of Navarre
description
Marguerite of Angouleme (1492-1549) was the sister of King Francis I of France. Two years after her first husband's death in 1525, she married Henry of Navarre and became queen of the tiny kingdom of Navarre. She is portrayed here as a widow, contemplating a cross; on the reverse is an image of the Virgin with her mother and family known as the Holy Kinship, perhaps to honor the queen's own family. In the 1600s, she remained highly regarded for her writings, chiefly on the challenge of reconciling a worldly life with a Christian one.The subtle execution would be remarkable for an enamel portrait of 1525-27, and is more consistent with later portraits by Leonard Limosin, who worked for Marguerite's husband Henry. The effect of the white bust against a dark oval background is like a Roman cameo. There are at least three versions of this fine portrait, probably made for relatives and admirers.
provenance
Henry Walters, Baltimore, 1931 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1540-1545? (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Enamels
medallions
portraits
imageCount
5
pageCount
5
source
import
dimensions
units
cm
width
10.8
height
7.9
dimensionsRaw
4 1/4 x 3 1/8 in. (10.8 x 7.9 cm)
Source extras
med
painted enamel on copper, silver frame
creator_ids
4231
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
c73e76453bf3029a
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
4b23c42adab09856
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
cc2d7c58ca10d16c
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
c693c8b0df6cd45b
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
0fecc3ff0d875e62
hasOcr
no
hasDescription
no