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Source Description
This lidded jar boasts an exuberant design of golden carp swimming in a lotus pond. Fish are among the most favored motifs in China for their auspicious associations. The word for fish in Chinese, yu, is a homonym for “abundant” and “plentiful.” The carp itself traditionally conveys themes of transformation and transcendence, as well as social mobility. According to legend, carp are capable of transforming into dragons, represented as a “leaping carp.” The “leaping carp” motif became a metaphor for scholars hoping to pass the imperial examinations for political office—this was the primary way for upward mobility for educated males of any social class during the Ming dynasty (1368–1644). With such a plethora of auspicious symbols and meanings, this lidded jar—used to hold wine or food—probably stood in the receiving hall or the scholar’s study of an elite family’s home. It is a masterpiece, one of only nine known jars of this type in museum collections worldwide and, among this small group, this jar is one of the most exceptionally well preserved and exquisitely painted.
Scholar Source Context
Document identity
localId
28583
label
Lidded Jar with Carp in Lotus Pond
core
obj
dtoType
object
citationUrl
pageCount
19
Source metadata
id
28583
sourceUrl
contentType
object
stage
normalized
title
Lidded Jar with Carp in Lotus Pond
description
This lidded jar boasts an exuberant design of golden carp swimming in a lotus pond. Fish are among the most favored motifs in China for their auspicious associations. The word for fish in Chinese, yu, is a homonym for “abundant” and “plentiful.” The carp itself traditionally conveys themes of transformation and transcendence, as well as social mobility. According to legend, carp are capable of transforming into dragons, represented as a “leaping carp.” The “leaping carp” motif became a metaphor for scholars hoping to pass the imperial examinations for political office—this was the primary way for upward mobility for educated males of any social class during the Ming dynasty (1368–1644). With such a plethora of auspicious symbols and meanings, this lidded jar—used to hold wine or food—probably stood in the receiving hall or the scholar’s study of an elite family’s home. It is a masterpiece, one of only nine known jars of this type in museum collections worldwide and, among this small group, this jar is one of the most exceptionally well preserved and exquisitely painted.
provenance
Henry Walters, Baltimore, 1894-1908, by purchase; Walters Art Museum, 1931, by bequest.
date
1522-1566 (Ming dynasty; reign of the Jiajing emperor (1522–66))
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
jars
imageCount
19
pageCount
19
source
import
dimensions
units
cm
width
44.9
height
40.1
dimensionsRaw
H with lid: 17 11/16 x Diam: 15 13/16 in. (44.9 x 40.1 cm)
Source extras
cul
Chinese
inscriptions
reign mark of Jiajing emperor (1522-1566)
dynasty
Ming dynasty
reign
Jiajing (1522-1566)
med
porcelain, underglaze blue, overglaze enamels (wucai)
creator_ids
6238
collection_ids
CHN
exhibition_ids
2514
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