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It is sometimes easy to determine, which side of an ancient Greek vase was meant to face the viewer: the front differs from the back, the "B-side," in the quality and sophistication of the decoration. The winged Nike driving a four-horse chariot (quadriga) on the front of this krater (mixing vessel) is much more skillfully rendered than the three male figures on the back, which were most likely executed by an apprentice in the workshop. This scene of three standing Athenian youths in conversation is a common subject for the "B-side" of vases.
Page data
- Page
- 3
- Source index
- 0
- Type
- photo
- Media ID
- 9550b693c48bc775
- Size
- unknown
Document data
- ID
- 306
- Core
- obj
- Type
- object
DTO data
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"title": "Krater with Nike Driving Quadriga and Three Men Standing",
"description": "It is sometimes easy to determine, which side of an ancient Greek vase was meant to face the viewer: the front differs from the back, the \"B-side,\" in the quality and sophistication of the decoration. The winged Nike driving a four-horse chariot (quadriga) on the front of this krater (mixing vessel) is much more skillfully rendered than the three male figures on the back, which were most likely executed by an apprentice in the workshop. This scene of three standing Athenian youths in conversation is a common subject for the \"B-side\" of vases.",
"provenance": "Joseph Brummer, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1924, by purchase; Walters Art Museum, 1931, by bequest.",
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Document identity
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Document source metadata
{
"id": "306",
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"contentType": "object",
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"title": "Krater with Nike Driving Quadriga and Three Men Standing",
"description": "It is sometimes easy to determine, which side of an ancient Greek vase was meant to face the viewer: the front differs from the back, the \"B-side,\" in the quality and sophistication of the decoration. The winged Nike driving a four-horse chariot (quadriga) on the front of this krater (mixing vessel) is much more skillfully rendered than the three male figures on the back, which were most likely executed by an apprentice in the workshop. This scene of three standing Athenian youths in conversation is a common subject for the \"B-side\" of vases.",
"provenance": "Joseph Brummer, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1924, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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"cul": "Greek",
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Page context
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