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Source Description
Buddhist sculptures and paintings are not merely works of art; they are sacred images that contain the presence of the divinities they depict. A sculpture or painting is transformed into the sacred receptacle for a divine being through consecration rituals that include an “eye-opening” ceremony, which brings the image to life and endows it with sense faculties, and an initial offering, often scrolls of religious text; several scrolls were placed in a hollow compartment in the back of this sculpture.The texts and the sculpture date to the Joseon (Fresh Dawn) dynasty, which was established in Korea in 1392 and lasted until the end of the 19th century. Joseon rulers rejected Buddhism as the official religion in favor of a neo-Confucian ideology that sought to understand the universe through human reason. Buddhism nonetheless remained an important part of Korean culture, and monarchs and members of the court commissioned works of art for private devotion.
Scholar Source Context
Document identity
localId
33014
label
Buddha
core
obj
dtoType
object
citationUrl
pageCount
4
Source metadata
id
33014
sourceUrl
contentType
object
stage
normalized
title
Buddha
description
Buddhist sculptures and paintings are not merely works of art; they are sacred images that contain the presence of the divinities they depict. A sculpture or painting is transformed into the sacred receptacle for a divine being through consecration rituals that include an “eye-opening” ceremony, which brings the image to life and endows it with sense faculties, and an initial offering, often scrolls of religious text; several scrolls were placed in a hollow compartment in the back of this sculpture.The texts and the sculpture date to the Joseon (Fresh Dawn) dynasty, which was established in Korea in 1392 and lasted until the end of the 19th century. Joseon rulers rejected Buddhism as the official religion in favor of a neo-Confucian ideology that sought to understand the universe through human reason. Buddhism nonetheless remained an important part of Korean culture, and monarchs and members of the court commissioned works of art for private devotion.
provenance
Yamanaka & Co., New York; purchased by Henry Walters, Baltimore, 1920; by bequest to Walters Art Museum, 1931.
date
late 17th–early 18th century (Joseon dynasty (1392–1910))
citationUrl
rightsUri
CC0
language
en
genreSpecific
Wood
sculpture (visual works)
figurines
imageCount
4
pageCount
4
source
import
dimensions
units
cm
width
42
height
26.4
depth
10
dimensionsRaw
H: 16 9/16 × W: 10 3/8 × D: 3 15/16 in. (42 × 26.4 × 10 cm)
Source extras
cul
Korean
inscriptions
[Sticker] From Yamanaka & Co.: Y B 2374
dynasty
Joseon Dynasty
med
Gilded wood, iron, paper, ink
creator_ids
2851
collection_ids
JPK
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
324c2fbc214331ac
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
c90e33f4fb39949f
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
8d5a15d15971fad4
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
874c47609b958af2
hasOcr
no
hasDescription
no