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Source Description

This pendant represents a jaguar, a powerful animal with which a warrior would have wanted to be associated. The head of the animal is turned aside as if to observe a potential viewer or enemy. On each foot is a ring for suspension.Raw and refined gold was as valuable as it was symbolic to the people of Precolombian Panama. Because of its reflective nature, which mirrored the shining sun, working with and wearing gold signaled a characteristic of the divine. In order to create complex and beautiful gold pieces, many goldsmiths adapted the lost wax method of metallurgy. This technique—probably initially developed in the Northwest region of Colombia—used wax and clay to create a mold, enabling molten metal to be poured into the cast and melt the surrounding parts to produce exquisite and thin ornamentation. Pendants were worn by men around the neck on ceremonial occasions. Columbus noted that the inhabitants of Panama who came to greet him wore gold pendants in the shape of eagles. This piece could have been created in Columbus's time or during the previous 600 years.

Scholar Source Context

Document identity
localId
33285
label
Horned Jaguar Pendant
core
obj
dtoType
object
pageCount
3
Source metadata
id
33285
contentType
object
stage
normalized
title
Horned Jaguar Pendant
description
This pendant represents a jaguar, a powerful animal with which a warrior would have wanted to be associated. The head of the animal is turned aside as if to observe a potential viewer or enemy. On each foot is a ring for suspension.Raw and refined gold was as valuable as it was symbolic to the people of Precolombian Panama. Because of its reflective nature, which mirrored the shining sun, working with and wearing gold signaled a characteristic of the divine. In order to create complex and beautiful gold pieces, many goldsmiths adapted the lost wax method of metallurgy. This technique—probably initially developed in the Northwest region of Colombia—used wax and clay to create a mold, enabling molten metal to be poured into the cast and melt the surrounding parts to produce exquisite and thin ornamentation. Pendants were worn by men around the neck on ceremonial occasions. Columbus noted that the inhabitants of Panama who came to greet him wore gold pendants in the shape of eagles. This piece could have been created in Columbus's time or during the previous 600 years.
provenance
[Found at a graveyard between Divalá (a village on the outskirts of settled Panama, thirty miles west of David in the province of Chiriqui) and Costa Rica, Spring 1909]; purchased [1] by Tiffany & Co. New York, 1910; purchased by Henry Walters, Baltimore, 1911; by bequest to Walters Art Museum, 1931.[1] from ""Indians,"" see December 29, 1910 correspondance from Tiffany & Co. to Henry Walters
date
700-1520 (Period V-VI)
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
pendants
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
2.5
height
4.9
dimensionsRaw
H: 1 x W: 1 15/16 in. (2.5 x 4.9 cm)
Source extras
cul
Veraguas-Chiriqui
med
gold and copper alloy
creator_ids
4145
collection_ids
AME
exhibition_ids
3381
Page inventory
seq
1
type
photo
mediaId
d772fd4f92119f08
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
b464c98e8603e66f
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
0ba41e6e8b558f8b
hasOcr
no
hasDescription
no