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The Evangelist Matthew is seated on a cushioned bench, his pen poised to write in a book supported by an elaborate animal-shaped lectern. He looks for inspiration to his symbol, the winged man. Matthew's drapery, which is drawn from the tradition of classical author portraits, cascades around him, lending the figure a sense of nervous energy as he prepares to write, an energy that is echoed in the tumultuous red and orange clouds behind him.This Gospel Book was written in the diocese of Freising, Germany, ca. 875. Surprisingly small for a Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art and Caroline minuscule script. The expressive and emotive quality of the Evangelist portraits recalls the style developed by the Carolingian school of Reims in northern France. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in their use of interlace within the columns and of acanthus springing from the top corners. The manuscript is one of a small group of codices produced at Freising at this time, among them another Gospel Book, Munich, Bayerische Staatsbibliothek Clm 6215.