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Source Description
On one side of this ewer, the Greek hero Perseus stands before a serene landscape, holding the severed head of the feared Gorgon, Medusa, a female monster with snakes for hair. Perseus accepted the challenge of slaying Medusa in order to save his mother, Danae, from a forced marriage. Perseus’ horse, Pegasus is shown to the right, and spectators are positioned on the left. Above, a shield of arms is flanked by the letters “HE” and “B,” likely referencing the name of the patron, who has not been identified. The ewer’s exterior composition is an example of “istoriato” (tells a story) imagery, and is painted in blue, copper-green, yellow, ochre, manganese, grey, black and opaque white. During the Renaissance, ewers were used for hand rinsing, for example in between banquet courses. This ewer would have been paired with a matching basin, and was made by the workshop of Guido Durantino, one of the most established maiolica workshops in Urbino. For more pieces by Guido Durantino’s workshop, click on his name in the creator field; for additional information on the “istoriato” style, see 48.1487; for more on “maiolica” see 48.1336.
Scholar Source Context
Document identity
localId
33939
label
Ewer with Perseus Holding the Head of Medusa
core
obj
dtoType
object
citationUrl
pageCount
2
Source metadata
id
33939
sourceUrl
contentType
object
stage
normalized
title
Ewer with Perseus Holding the Head of Medusa
description
On one side of this ewer, the Greek hero Perseus stands before a serene landscape, holding the severed head of the feared Gorgon, Medusa, a female monster with snakes for hair. Perseus accepted the challenge of slaying Medusa in order to save his mother, Danae, from a forced marriage. Perseus’ horse, Pegasus is shown to the right, and spectators are positioned on the left. Above, a shield of arms is flanked by the letters “HE” and “B,” likely referencing the name of the patron, who has not been identified. The ewer’s exterior composition is an example of “istoriato” (tells a story) imagery, and is painted in blue, copper-green, yellow, ochre, manganese, grey, black and opaque white. During the Renaissance, ewers were used for hand rinsing, for example in between banquet courses. This ewer would have been paired with a matching basin, and was made by the workshop of Guido Durantino, one of the most established maiolica workshops in Urbino. For more pieces by Guido Durantino’s workshop, click on his name in the creator field; for additional information on the “istoriato” style, see 48.1487; for more on “maiolica” see 48.1336.
provenance
G. H. Morland, before 1862, by purchase; Octavius E. Coope, Brentwood, Essex, 1866, by purchase; Sale, Christie's, London, May 3, 1910, no. 28; Jacques Seligmann, Paris, by purchase; Henry Walters, Baltimore, 1910, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1550-1560 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
ewers (vessels)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
34.3
height
14.2
dimensionsRaw
13 1/2 x 5 9/16 in. (34.3 x 14.2 cm)
Source extras
inscriptions
[Transcription] A ribboned shield of arms flanked by the letters: HE / B
med
earthenware with tin glaze (maiolica)
creator_ids
3439
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
cd94b5e55f390950
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
f92c731e9bcf575c
hasOcr
no
hasDescription
no