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Source Description
In Greco-Roman mythology, the hero Hercules was raised to the ranks of the gods because of his great deeds. His feats were depicted by artists who enjoyed displaying their mastery of the heroic male nude. One of Hercules's adventures took place in Libya: King Antaeus, a vicious giant and son of Mother Earth, forced travelers to wrestle with him. As long as he touched the earth (his mother), his energy was maintained, and he was able to kill his opponents. Hercules held Antaeus off the ground and crushed him. In the Renaissance, the subject was interpreted as the triumph of virtue.A Roman marble copy (in the Pitti Palace, Florence) after a Greek bronze of the subject was known before 1500, but all that remained of Antaeus was his torso. This is one of many reconstructions imagined by sculptors. The modeling is austere, but the struggle is convincing. A more refined cast of this piece belonged to Archduke Ferdinand of Austria.
Scholar Source Context
Document identity
localId
34735
label
Hercules Crushing Antaeus
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
34735
sourceUrl
contentType
object
stage
normalized
title
Hercules Crushing Antaeus
description
In Greco-Roman mythology, the hero Hercules was raised to the ranks of the gods because of his great deeds. His feats were depicted by artists who enjoyed displaying their mastery of the heroic male nude. One of Hercules's adventures took place in Libya: King Antaeus, a vicious giant and son of Mother Earth, forced travelers to wrestle with him. As long as he touched the earth (his mother), his energy was maintained, and he was able to kill his opponents. Hercules held Antaeus off the ground and crushed him. In the Renaissance, the subject was interpreted as the triumph of virtue.A Roman marble copy (in the Pitti Palace, Florence) after a Greek bronze of the subject was known before 1500, but all that remained of Antaeus was his torso. This is one of many reconstructions imagined by sculptors. The modeling is austere, but the struggle is convincing. A more refined cast of this piece belonged to Archduke Ferdinand of Austria.
provenance
Henry Walters, Baltimore, 1931 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
ca. 1525 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Metal
statuary groups
bronzes
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
27.2
height
15.3
depth
11.3
dimensionsRaw
H: 10 11/16 × W: 6 × D: 4 7/16 in. (27.2 × 15.3 × 11.3 cm)
Source extras
cul
Italian Renaissance
med
bronze (solid cast)
creator_ids
33562
collection_ids
REN
exhibition_ids
2891
Single page context
seq
1
pageIndex
0
type
photo
mediaId
b3d581e99a3270df