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Nina Moore, alternately listed as G. Nina Moore and Mrs. Nina Moore, or incorrectly as Nora Moore, is typical of many 19th-century women artists in that little is known about her life and career. She exhibited at the National Academy of Design in 1857 and again in 1866. Other exhibits are known, the last in 1875 at the Essex Institute in Salem, Massachusetts. The composition may be related to the genteel art of collecting and pressing leaves. Moore has included shadows, emphasizing that the leaves are not yet fixed to the page. The curious presence of two signatures leads to the discovery that the composition functions equally well when the painting in turned upside down.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 3ac9393b46d341e6
- Size
- unknown
Document data
- ID
- 35539
- Core
- obj
- Type
- object
DTO data
{
"id": "35539",
"sourceUrl": "https://purl.thewalters.org/art/37.1570",
"contentType": "object",
"stage": "normalized",
"title": "Autumn Leaves",
"description": "Nina Moore, alternately listed as G. Nina Moore and Mrs. Nina Moore, or incorrectly as Nora Moore, is typical of many 19th-century women artists in that little is known about her life and career. She exhibited at the National Academy of Design in 1857 and again in 1866. Other exhibits are known, the last in 1875 at the Essex Institute in Salem, Massachusetts. The composition may be related to the genteel art of collecting and pressing leaves. Moore has included shadows, emphasizing that the leaves are not yet fixed to the page. The curious presence of two signatures leads to the discovery that the composition functions equally well when the painting in turned upside down.",
"provenance": "John Taylor Jonston Collection, New York; purchased by William T. Walters, Baltimore, 1876; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.",
"date": "1858",
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"dimensionsRaw": "H: 8 11/16 x W: 7 3/16 in. (22 x 18.3 cm)"
}
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Document identity
{
"localId": "35539",
"label": "Autumn Leaves",
"core": "obj",
"dtoType": "object",
"citationUrl": "https://purl.thewalters.org/art/37.1570"
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Document source metadata
{
"id": "35539",
"sourceUrl": "https://purl.thewalters.org/art/37.1570",
"contentType": "object",
"stage": "normalized",
"title": "Autumn Leaves",
"description": "Nina Moore, alternately listed as G. Nina Moore and Mrs. Nina Moore, or incorrectly as Nora Moore, is typical of many 19th-century women artists in that little is known about her life and career. She exhibited at the National Academy of Design in 1857 and again in 1866. Other exhibits are known, the last in 1875 at the Essex Institute in Salem, Massachusetts. The composition may be related to the genteel art of collecting and pressing leaves. Moore has included shadows, emphasizing that the leaves are not yet fixed to the page. The curious presence of two signatures leads to the discovery that the composition functions equally well when the painting in turned upside down.",
"provenance": "John Taylor Jonston Collection, New York; purchased by William T. Walters, Baltimore, 1876; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.",
"date": "1858",
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],
"dimensionsRaw": "H: 8 11/16 x W: 7 3/16 in. (22 x 18.3 cm)"
}
Document source extras
{
"inscriptions": "[Signature] At lower right and at upper left along contour of leaves: Mrs. Nina Moore 1858",
"med": "watercolor on paper",
"creator_ids": [
"3056"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
"2973"
]
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Page context
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