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Source Description
Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”These colorful compositions created complex narrative scenes which paralleled manuscript painting. Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. The combination of leisurely activities with more warrior-like occupations, such as the hunt, was frequently used in the medieval Persian iconography of kingship. The royal figure at the center of this bowl is seated on a throne, surrounded by four courtiers, two of which hold swords crossed over the ruler’s head, perhaps in a gesture of protection. The outer rim, while partially erased, features seated figures in pairs. Surrounding the central composition is a kufic inscription in Arabic. The outer rim features a fragmentary inscription in naskhi.
Scholar Source Context
Document identity
localId
36289
label
Bowl with Enthroned King and Courtiers
core
obj
dtoType
object
citationUrl
pageCount
7
Source metadata
id
36289
sourceUrl
contentType
object
stage
normalized
title
Bowl with Enthroned King and Courtiers
description
Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”These colorful compositions created complex narrative scenes which paralleled manuscript painting. Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. The combination of leisurely activities with more warrior-like occupations, such as the hunt, was frequently used in the medieval Persian iconography of kingship. The royal figure at the center of this bowl is seated on a throne, surrounded by four courtiers, two of which hold swords crossed over the ruler’s head, perhaps in a gesture of protection. The outer rim, while partially erased, features seated figures in pairs. Surrounding the central composition is a kufic inscription in Arabic. The outer rim features a fragmentary inscription in naskhi.
provenance
Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1928, by purchase; Walters Art Museum, 1931, by bequest.
date
late 12th-early 13th century (Seljuq (?))
citationUrl
rightsUri
CC0
language
en
genreSpecific
bowls (vessels)
imageCount
7
pageCount
7
source
import
dimensions
units
cm
width
9.3
height
22.1
dimensionsRaw
H: 3 11/16 × Diam: 8 11/16 in. (9.3 × 22.1 cm)
Source extras
med
fritware, white underglaze,black, blue, green, purple, pink, red and white overglaze enamel
creator_ids
6768
collection_ids
none
exhibition_ids
none
Page inventory
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photo
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