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The scenes rendered on the front and back of this vase were taken from woodcuts by the French engraver Bernard Salomon (1506-1561 for a popular illustrated Bible (1553), and represent Noah offering burnt offerings to the Lord (Genesis 8: 15-22), and God speaking to Noah and his sons (Genesis 9:8-17). The two scenes are framed with strap work, a popular decorative system among Renaissance maiolica workshops that imitates cut and folded leather. The Classical figures, garlands, and masks, painted in blue, copper- and olive-green, yellow, ochre, dark manganese, black, and opaque white are representative of the ‘grotesque’ style, which was influenced by the elaborate and fanciful motifs that decorated the walls of the Roman palace belonging to Emperor Nero (37-68 AD), rediscovered during the Renaissance period. “Grotesque” designs, as well as the snake handles present on this vase are characteristic of the maiolica wares produced by the Patanazzi family. To see more works by the Patanazzi workshop, click on the name in the creator field; for the pair to this snake-handled vase, see 48.1369

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Page
3
Source index
0
Type
photo
Media ID
d7445d17ce26a9ba
Size
unknown

Document data

ID
38640
Core
obj
Type
object
DTO data
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    "title": "Snake-Handled Vase with Scenes from Genesis",
    "description": "The scenes rendered on the front and back of this vase were taken from woodcuts by the French engraver Bernard Salomon (1506-1561 for a popular illustrated Bible (1553), and represent Noah offering burnt offerings to the Lord (Genesis 8: 15-22), and God speaking to Noah and his sons (Genesis 9:8-17). The two scenes are framed with strap work, a popular decorative system among Renaissance maiolica workshops that imitates cut and folded leather. The Classical figures, garlands, and masks, painted in blue, copper- and olive-green, yellow, ochre, dark manganese, black, and opaque white are representative of the ‘grotesque’ style, which was influenced by the elaborate and fanciful motifs that decorated the walls of the Roman palace belonging to Emperor Nero (37-68 AD), rediscovered during the Renaissance period. “Grotesque” designs, as well as the snake handles present on this vase are characteristic of the maiolica wares produced by the Patanazzi family. To see more works by the Patanazzi workshop, click on the name in the creator field; for the pair to this snake-handled vase, see 48.1369",
    "provenance": "William (J. L.), 7th Earl Poulette [date and mode of acquisition unknown]; J. Seligmann, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, Nov. 6, 1908, by purchase; Walters Art Museum, 1931, by bequest.",
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Document identity
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    "label": "Snake-Handled Vase with Scenes from Genesis",
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Document source metadata
{
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    "contentType": "object",
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    "title": "Snake-Handled Vase with Scenes from Genesis",
    "description": "The scenes rendered on the front and back of this vase were taken from woodcuts by the French engraver Bernard Salomon (1506-1561 for a popular illustrated Bible (1553), and represent Noah offering burnt offerings to the Lord (Genesis 8: 15-22), and God speaking to Noah and his sons (Genesis 9:8-17). The two scenes are framed with strap work, a popular decorative system among Renaissance maiolica workshops that imitates cut and folded leather. The Classical figures, garlands, and masks, painted in blue, copper- and olive-green, yellow, ochre, dark manganese, black, and opaque white are representative of the ‘grotesque’ style, which was influenced by the elaborate and fanciful motifs that decorated the walls of the Roman palace belonging to Emperor Nero (37-68 AD), rediscovered during the Renaissance period. “Grotesque” designs, as well as the snake handles present on this vase are characteristic of the maiolica wares produced by the Patanazzi family. To see more works by the Patanazzi workshop, click on the name in the creator field; for the pair to this snake-handled vase, see 48.1369",
    "provenance": "William (J. L.), 7th Earl Poulette [date and mode of acquisition unknown]; J. Seligmann, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, Nov. 6, 1908, by purchase; Walters Art Museum, 1931, by bequest.",
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Document source extras
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    "RelatedObjects": 17358,
    "med": "earthenware with tin glaze (maiolica)",
    "creator_ids": [
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    "collection_ids": [
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    "exhibition_ids": [
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Page context
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