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The identical silver filigree frame on these three portraits (including 38.209 and 38.516) indicates that they are a unit, possibly a family. Nevertheless, the man's portrait was probably by a different hand than that responsible for the women's. The loose, spirited execution of the man's hair and softer modeling point to the influence of more progressive developments in life-size portraiture, in contrast to the tighter modeling and conservative dress in the portraits of the women.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- c9e18eb0588b0d94
- Size
- unknown
Document data
- ID
- 39372
- Core
- obj
- Type
- object
DTO data
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"id": "39372",
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"contentType": "object",
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"title": "Portrait of a Woman",
"description": "The identical silver filigree frame on these three portraits (including 38.209 and 38.516) indicates that they are a unit, possibly a family. Nevertheless, the man's portrait was probably by a different hand than that responsible for the women's. The loose, spirited execution of the man's hair and softer modeling point to the influence of more progressive developments in life-size portraiture, in contrast to the tighter modeling and conservative dress in the portraits of the women.",
"provenance": "Abraham Jay Fink, Baltimore [no. A-97]; A. Jay Fink Foundation, Inc., 1963, Baltimore, by bequest; Walters Art Museum, 1963, by gift.",
"date": "1640-1645 (Baroque)",
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"source": "import",
"dimensionsRaw": "1 3/4 in. (4.45 cm)"
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Document identity
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"label": "Portrait of a Woman",
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"citationUrl": "https://purl.thewalters.org/art/38.210"
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Document source metadata
{
"id": "39372",
"sourceUrl": "https://purl.thewalters.org/art/38.210",
"contentType": "object",
"stage": "normalized",
"title": "Portrait of a Woman",
"description": "The identical silver filigree frame on these three portraits (including 38.209 and 38.516) indicates that they are a unit, possibly a family. Nevertheless, the man's portrait was probably by a different hand than that responsible for the women's. The loose, spirited execution of the man's hair and softer modeling point to the influence of more progressive developments in life-size portraiture, in contrast to the tighter modeling and conservative dress in the portraits of the women.",
"provenance": "Abraham Jay Fink, Baltimore [no. A-97]; A. Jay Fink Foundation, Inc., 1963, Baltimore, by bequest; Walters Art Museum, 1963, by gift.",
"date": "1640-1645 (Baroque)",
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}
Document source extras
{
"med": "oil on metal",
"creator_ids": [
"6227"
],
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Page context
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