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Source Description

René Lalique’s "Orchid Comb" is one of the Walters Art Museum’s greatest treasures and an undoubted Art Nouveau masterpiece. Lalique revolutionized jewelry design in the final decade of the 19th century by combining materials in unexpected ways, developing new techniques and reviving old ones, and blending historical and cultural references to create new vocabularies and forms. The "Orchid Comb" showcases these innovations and represents the height of Lalique’s jewelry production. Lalique’s studio rendered the highly naturalistic orchid at the centre of the comb out of a single piece of ivory; diamonds play a supporting role, picking out the veins along three slim leaves in glowing plique-à-jour enamel. The stem is attached by a gold hinge to a three-pronged horn comb. This is the most flamboyant of all the pieces purchased by museum founder Henry Walters at the Saint Louis World's Fair in 1904. Never intended to be worn, it entered the collection as a masterpiece of technical accomplishment in the field of the decorative arts.

Scholar Source Context

Document identity
localId
39518
label
Orchid Comb
core
obj
dtoType
object
pageCount
5
Source metadata
id
39518
contentType
object
stage
normalized
title
Orchid Comb
description
René Lalique’s "Orchid Comb" is one of the Walters Art Museum’s greatest treasures and an undoubted Art Nouveau masterpiece. Lalique revolutionized jewelry design in the final decade of the 19th century by combining materials in unexpected ways, developing new techniques and reviving old ones, and blending historical and cultural references to create new vocabularies and forms. The "Orchid Comb" showcases these innovations and represents the height of Lalique’s jewelry production. Lalique’s studio rendered the highly naturalistic orchid at the centre of the comb out of a single piece of ivory; diamonds play a supporting role, picking out the veins along three slim leaves in glowing plique-à-jour enamel. The stem is attached by a gold hinge to a three-pronged horn comb. This is the most flamboyant of all the pieces purchased by museum founder Henry Walters at the Saint Louis World's Fair in 1904. Never intended to be worn, it entered the collection as a masterpiece of technical accomplishment in the field of the decorative arts.
provenance
World's Fair, St. Louis, Missouri, 1904 [no. 1]; Henry Walters, Baltimore, 1904, by purchase; Walters Art Museum, 1931, by bequest.
date
1903-1904
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
combs
imageCount
5
pageCount
5
source
import
dimensions
units
cm
width
13.3
height
17.8
dimensionsRaw
H: 5 1/4 x W: 7 in. (13.3 x 17.78 cm)
Source extras
style
Art Nouveau
med
ivory, gold, ""plique-à-jour"" enamel, horn, diamonds
creator_ids
2972
collection_ids
EAN
exhibition_ids
2513
316
3300
3673
Page inventory
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1
type
photo
mediaId
33ea062127aa93bb
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no
hasDescription
no
seq
2
type
photo
mediaId
3baf0e823ee40c9d
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
b77f8a1f90c46556
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
1c8a7e0f1c476bd2
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
c99995274739abd9
hasOcr
no
hasDescription
no