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Source Description

Within Islamic cultures of both past and present, the creation of finely-written and decorated manuscripts of the Qur'an (meaning recitation) has been considered the highest form of religious devotion and artistic expression. This Qur'an manuscript examplified the distinctive form given to Islam's sacred text in the Muslim regions of Sub-Saharan Africa beginning in the 15th-16th centuries and continuing into the modern era. It is divided into two separate volumes, each encased within a tooled leather pouch with carrying straps. The text is written on square, loose, leaves of paper in an angular Arabic script known as magribi. The margins are decorated with medallions and cartouches that mark particular Qur'an verses and sections. The beginning and end of each volume are further embellished with full-page illuminations featuring geometric designs typical of Sub-Saharan art. Similar designs decorate the pasteboard covers (exterior and interior) that protect the unbound leaves, which are then wrapped with leather thongs. This work of art is of very high quality and generally excellent condition.

Scholar Source Context

Document identity
localId
6205
label
Qur'an in Two Volumes with Leather Pouches
core
obj
dtoType
object
pageCount
1
Source metadata
id
6205
contentType
object
stage
normalized
title
Qur'an in Two Volumes with Leather Pouches
description
Within Islamic cultures of both past and present, the creation of finely-written and decorated manuscripts of the Qur'an (meaning recitation) has been considered the highest form of religious devotion and artistic expression. This Qur'an manuscript examplified the distinctive form given to Islam's sacred text in the Muslim regions of Sub-Saharan Africa beginning in the 15th-16th centuries and continuing into the modern era. It is divided into two separate volumes, each encased within a tooled leather pouch with carrying straps. The text is written on square, loose, leaves of paper in an angular Arabic script known as magribi. The margins are decorated with medallions and cartouches that mark particular Qur'an verses and sections. The beginning and end of each volume are further embellished with full-page illuminations featuring geometric designs typical of Sub-Saharan art. Similar designs decorate the pasteboard covers (exterior and interior) that protect the unbound leaves, which are then wrapped with leather thongs. This work of art is of very high quality and generally excellent condition.
provenance
Present in England, before 1974 [1]. Henry Brownrigg, London, 1980s [2]; purchased by Sam Fogg Rare Books and Manuscripts, London, 1980s [3]; purchased by Walters Art Museum, 2000.[1] According to Sam Fogg[2] Dealer who sold at Portobello Road Market in London[3] Sam Fogg, ""Islamic Manuscripts"", 2000, no. 22, pp. 56-57
date
19th century
rightsUri
CC0
language
en
genreSpecific
illuminated manuscripts
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
11
height
11
dimensionsRaw
Folio H: 4 5/16 x W: 4 5/16 in. (11 x 11 cm)
Source extras
RelatedObjects
76612
76611
med
ink and pigments on cream European laid paper (probably Italian) bound between loose boards fastened with leather, leather satchel
creator_ids
8697
6768
collection_ids
MIS
ISL
exhibition_ids
186
Single page context
seq
1
pageIndex
0
type
photo
mediaId
4fa03b91c35a43f1