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In early modern Europe, the earth was generally understood to be divided into four parts: Europe, America, Asia, and Africa. From the 1500s to the 1800s, the symbolic depiction (“allegory”) of these four geographical areas was widely popular and often known as “The Allegory of the Four Continents.” Artists used generalized representations of men and women holding or wearing items that European viewers understood to represent the “continent” or part of the world from which they came. In this grouping the figure of Europe contrasts markedly in complexity with the others, of which the artist and his patrons knew much less.Asia: The artist appears to have been at a loss for a dominant idea, and the various figures hold plants, spices, and pieces of coral that were then prized in Europe. Little is known about Francesco Bertos, a highly original artist who created a considerable number of complicated pyramidal groups in a distinctive, ingenious style that mirrors the lightness and airiness of contemporary Rococo painting in France.